aa i 
2) OFF; 


Hy. Fi Cg ts y Af 
ner 4 et Wee hae alee i 
aes Mane 


4 py 
: PSN 
3 
Wt ie 


a ; 
TG Ue AR eed 
Res Aa rs ; h 
: 0 by dota ent 


HE 


+ 


f 
eyes heat "id 
:, 1. i, ALD ays 

MPR TIS Aa 
ae ST j NA : 


Z 
fe 


5 J x. i 4 i es ye i 
Wo Mey POM Vaccines 
ey beet Chae, pa ‘ 


yi 
w 
A pmb ‘ 
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et 
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YAR OD * 
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7 
ee et aS 
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. ' v4 aos 
: 
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y AY ! 
oy ‘s “a Vd 
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: "ig 
y vs 
A ‘. 
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+a nen? 3 


‘|19<ttattan'” Land Richard’ 
| Scott yc wile 


0- Il the Paint: 
i hie One. 


UCH, $4,71 


\ 


saintings, property of Mrs. 
Soesag Bradley, Mrs, 


.” by Charles Em 
at the highest price, $8,- 
ie Seaman, agent. Adolr 


was. sold. Jon, $5,000 to J.) 


ROBB eels nod bon UMeeeebep 
z motne to Herman eat for}43—Shearing the -Pet—Anton- "Heinrich hie 


was not a large gathering, as 

audiences for American Art 

tic ftps , and the Schreyer 
sas ting sale of the even- 


s goin interest from the audi- 


ra Kirby, from the auction- 
fan the opening of the sale, 


presented an unusual | 
excellence and variety. 
‘pictures came from well- 
ns dispersed several | 
' them the Mary J. 


rr of the prices paid were 
for which they had | 


weet tna more im- 
1 Degodt e sold, including 


ection of twenty-four ex- 
tena of the French im- 
Claude Monet, brought to- 
: te James FE. Sutton. 


; Pao ana Prices. 


»@ Mst* of. the paintings | 
of. artists, purchasers, 


5 aah bueene Ver- 
7 Reahnbtanr: re ee Sica $20 
nel)—Francisco Do- 
LEE SR gh POs Pa 260 


SR ay 360 

| 275 
ee Bee oe, 700 
Bellecour 225 
Mrs. BR. M. Rcechurd., 120 


a Young Woman—Jean 
er; Frank Muller, agent.1,100 
y Girl and Her Flock—Con- 


tant Tr ay Seaman, agent.......... 2,600 
, Gorge au Loups: Fontainebleau— 
Jaz Se 4erenenr oi. bo ks 1,7 


@r Rain—Diaz; John Levy.1, 00. 
m on the Scheldt, panel—Paul 
aries Clays; Bernet, agent..... 
hese ae os OTP Or Nia 


‘\26—The Appeal—Anton Heinrich Dieffen- Fredericks i....... 


i eens 92, 800 IS PAID 
e Cotta de— . 
‘estates ‘of 3 Taide FN Vesta 
-|88—The Aug {(panel)—Sanchez- Perrier; 


agent uy 
y 1 sera Landscape—Leon Richet; 
36 The ‘Senin: Algiers—Boulanger; iso! 


. A Dutch picture Weis- 
“ Edridaoane in Holland,’ 


third Behe price, going to ONS. Da nie in Stable—Van mg nko $ 17, 000 FOR GRE AT M ARIS 


up with quick jumps | 


collection, coming from | 
T, Stewart dollec- | 


ures Schreyers and. the re-| 


Le PHENO. Ae seve acer aCe 
mm n oe eee Bertrand; 
173 2 nt mt ne. Woativitees vats . 
| enines2 ah ARR MPUMEI 
ra-Sieeitey ae, os eee 
ehing in — ; 
Kowalski; x Dy inten ne Pind) 
ri Laisse- 


v. : Maa eds eine ee ee 
su ran - Francis Murphy; i€noeaier 


Pe Ae gS . mee eee ad, 


aivi cy 


76 — The Three Brothers — Henri 

} ment; Captain J. R, Delamar:.,.......1,300 

| 77—Milking Time-Johannes Scherrewitz; 

| MH dy Paani 5% ian fae 

y ~~ Holland ndscape —- ~ Phec nile 

7oU i a eon besa hee on PE 3 8 0b 
—Mother an —Bernard i 
Jaties Ry Hewes eee Rakons” 

80—Portrait of a TAY (panel) —Van 


ge ect Lesson—Luis Alvarez: 
“Young. Woman with a GuitarZRai. 
undo de Madrazo; Scott & Fowles.. 
22—The Borders of a Venetian Canal— 
Jose is Sow Dy Harrison isu ek. os 
23—Les Pecheurs: Scene in Spain--San- 
otha "Pet, ‘Ratbit-chaties Yosh Ae 
a arles oshua, 
Chaplin; Prinz Brothers......... aye 40) Mierevelt; Max Will NING jak: «/e sie pate 525 
aDrpesinitoncinude” Maillacd;""G, 10/9 At the dee of, the, Woods Heals 6 
entw ee ee ee ee ee ee ee ee eee ee ; erman 7 é 
ou '82—The Unwilling Guest—Leon Perrault; pe 


ereee 


bach; lL. 8, Constann. 2.54% %.'5.4..62.+ 250 eee. Stampede—Adolt ‘Schreyer; Sea- 


my i Pn vereke ,Morning—Anton Braith; a yr SPIN N A <9 hese ghee ae 
enry  SChultheis. siiiversacet seve 4—The indo - is - 
28—Cattle and Landscape—Friedrich Jc o- ment — Vasil of Bette histts Petar 


hann Voltz; Henry Schultheis......... 500) agent 


” i 
eo te eee ee eomr ease eeeenmeesenesesa ay 


fe a | 
“igi Duteh. Pastoral, pon ena Rapes 550...The sale will be concluded at the 


with eral 


$0— Evening Glow--F. J. Du Chattel; Plaza aes eventus, 
Captain Marion- McMillin..:......5.. aie 
31—-Patience is a A eskcn deeashal Nicol; 


Henry Mosler; E. T. Powell......0.... 
Seuman, bale MS grey Meta 


4 84--Spanish Cate—P, Salinas; AL ‘Rudert, : 


eee eeone 


EE RS ee sof Sensi ee 
gi_SpridgWitliam Adolphe "Bougue-. soo AN hinactedend ‘ e Baths 


reau; Henry Schutheis. silat sais ibce ant wench 


pe ren rs Jules Breton. atk ie : Lisig D are 08 I 
Lape Ss u Ba pe s . 
Eee eh, Sere aire Deore Highest, Price, $19,000. 


eee eh tame eeweresneestees 


40—The Artst’s Home at. Barbizon, 
(panéel)—Rousseau; Seaman, agent...’ 800 


42—-The Milkmaid—Julten “Dupre; Cie 


4 


Dieffenbach; BE.” Sinélair..........00.4, 220 ) i 

ag |44—The Baske-cour — Cherles Emile aagepabeey 24 eye for 
acque; CAMBN, AGEN... .saceccesseeed, ne; ue ae Bor 

45—-Portrait of Bismarck ( anel)—-Franz $16 “ t : ; d 
von Lenbach; Mrs. M. Frankfurter...» 925 dighera,”’ for $15,900. 

\46—An Arab Horseman at the. Fountain 


| —Adolf Sehreyer; J..Clinton Spencer. ..5,000 


47—Flowers and Strawberries (panel)— : 

Jean Baptiste Robie; Frank Muller, Highty-seven pictures brought $432,800 
Panett plies rir pet ae re ee in the big sale of paintings ce anae 
| ver an un t— r cs au OW } : 

Seaman, agent io .... 21,799 t9 different persons and estates, un 
49—Reverie by the Sea, William ‘Adolphe ' \the auspices of the American Art Asso- 


Bouguereau; Captain Marion McMillin.3,000 ciation, at the Plaza last evening. The 


|50—Meal - 
quend hee af neeer Vita Di en is gsol\last picture of the sale an Alma 
5i—The ‘Bull Fighter's Story, | Jehan ‘Tadema, ‘‘The Baths of Caracalla,” 


G ene J : : 
2 a Reading oF Den Quine AE. brought the highest price, $19,000, going 


Searels Casanova, y, Estorach ; EB. Sin- ce to Reinhardt & Son. 
DIBAP i) i See aie ee alc ae SVG Am 
5A Canal in ‘Vente, (panel)—J. Gaile) A steal Jalob Mprlsy Oe 


Bos; D:> Farrisone ci%.6 pass Feo ee ee 400 'sterdam,’’ brought the second highest 
54—After the Bull Fight, Jules “Worms; de xo Price, going to the Holland Galleries 
| 


G,. Goldschmidt....... 2s. yi aie 
58—Indian Summer, Robert “Ward Van for $17,000. This fine picture belonged 


Teaches 9 wet Lag jog kame Neate ly 210 \to the Widener collection in Philadel- 

— Lingering nter: oon ig t, , it 

Charles. Warren « Batob< Harvard iphiea, and was only deposed trom its 

| Oe IBIAS Ace ists id's 6 eee wd lenieeiaieinss eae oo 250 position when Mr. Widener decided to 
coi wre Cotiages, Julian, Rix; Ken- jon devote himself only to the old masters. 
OGY eG). cua te tae cigie cake Mae sp a's 25. 

n&—Cattlé and Landscape, Marie Die- The third highest price was $16,400, 
terle; Poh) Tisyyi sa giiernenics s Ua pes 1,475 Biv en for ‘‘ Sunset,’ by George Inness, 


/69—Land Bes 
andscape; esi a Henri Harpignies; 425 The fourth highest price was $15,960, 


OID LIV) ay seleeat « Gitar Genera siege lie 4% beh > inns 
| 60-— ~The ane ta’ ‘the Fold—-Charles b James Hastings for ‘** Vue de 
Emile Jacque; Seaman, agent..........8,2 Bee aehara one of the Monets, the 
| 61—-Vessels, Sea and Shore: Holland— Greta ide. ‘pictures by the , great 
| Clays; Bernet, agent. .......... ates as ihe BOO: | French im pressionist whose disposition, 
62—Pointers—Percival Rosseau; W 
fi ¢ f ss 425 Iwas a. sale within @ eee Be night, and 
ethane Wem a oe Rosa a spevial feature by itse 
SRonheu?. Hitman einen Rome ,800 |. These twenty~- four pictures by Claude 
64—The River—F, “J. Du’ Chattel; G, Monet, brought together by ‘the late 
Pagsensbethere 2 6. sis tle ce cawiee 64.0% ofeid .. 850 James IF, Sutton during the last thirty 
65—Landscape in Hotland_Johannés Hen- years, sold for $161,600. 
drik Weissenbruch; M. Knoedler & Co.4,700° Sixteen of the Monets went to the 
| 66—The Mosque of "Borussa—Jean Leon lurand-Ruels, and there were only two 
Gerome; James D. Waring 3 D f e° individuals - given 
° ‘ ee ere 8 names ra] privat ; i 1 als rer 
67—A Country OF bi Francois x, arnong the purchasers. There was @ big 
Ogee Rese ‘n gr digress audience, including all the prominent 
r . Walker: ET Powell. a : Fis 240 people in the city interested in pictures. 
99 | 89—Young Woman Arranging Her Dress When the first Monet was put up it was 
—William. Adolphe Bouguereau; Hol- evident that these were the pictures in 
FANG Catlexies ss 5s dbience Fide iote soe § aise bays 1,175 which the audience was most interested. 
| 70 — Accepting the “Challenge, panel - There was applause when those bring- 


Mihaly de Munkacsy; Henry Schultheis,2,200 ing the highest prices were sold and the 
selling was exciting. The bids came 80 
fast from different would-be purchasers 


: Seaman, fai 2 660 | 
ye a [Braver —Jean 


of the Piocke Mlle. Rosa. 

a Holand Galleries......:; 3, 
Bade pee Jean Charles 

lington page ky 8 Bets esas O72 


BONE S i4cas bm oo 
Clouds—Georse Tiness; 


“of the’ p 
nee, Bh go near 2 00 © &: 

Retinites! This 
to a few anti-im- 


14 Gathorne 
Seaman, agent ie 
+| 185-—-Bismare Franz Yon Lenbach; Dd, 


ee eed 


Boars one of thes 

m-sell it that way. 

down. ee an Ny, 
Alm 


mn sold ae Pauls sale in 


eben agent . 
American Art Asso- 


157--La Seine ee 
twelve, and) Monet; Durand R 
188—Bateaux de Plaisance e alata 
~~Claude Monet; 
| 139—Fleurs dane un Ser rclanas Monet? 


Pe ee ee ee ed 


Ce ee ee ee ed 


. > of first importance. 
ma: peel 


ee a rs 


ay ‘io Halage a Argenteuil— 
James Hastings.,... 
Falaise pres Fecamp—Claude 


S "There are M satieg 
men on a marble! 
ound back of ner 
there is much f 


See te tere eres eoas 


Craven. é @ Hiver a ‘Bennecourt— 
S Durand Ruel. oak 

ue de Bordighera-—-Claude Monet; 
James Hastings . 


Ce i a oe ae oe eer 


| 144--Menton vu du Cap Martin—C laude 
Monet; Durand Ruel 


Co a ae re fr a ry 


ras de Jeufosse—Claude Bene 


Ragan: Meules, Giverny—Claude Monet; 
Durand Ruel 
T--La Manne Porte, 
fonet; Durand Ruel 


ead 2s 


eres 


color) ~ Dwig 
Henry “ial 


orte, " Btretat—Ciaude 


ee ir ec ir 


nfse, seen 
se, vest” 


~__ BRING $85,215, 


» athe Return to the Fold; # 
/ by Jacque, Sold 1s 


COLLECTORS ‘B La 
FOR SCHREYER WORK| 


His “Arab Horseman” Sold’ 
so for $5,000 in Plaza 
Ballroom 


ood 
5,804 Righty-four paintings by artists of 
'cistinction, culled from collections 


- 4.500 formed by the late Isidor Wormser, 
3,000 Harold Thorne, Edson Bradley, James 
7, 104 F. Sutton, F. L. Loring and Leon Man 


| 148--Tempete a Port Goulphar, 
Isle-—Claude Monet ; ‘Durand Ruel. 

te Giverny—Claude 
Durand Ruel Paihia Rin aiatha iw cir ak 
| 150—Brouillard: Giverny—Claude Monet; 
PPOOTIOU ee OO ile ei elk estes hhiws 
) 151--Brouillard: Giverny--Claude Monet; 
Durand Ruel 


a sa "aie 


viovancd “Boldt: , 


ei es s, (panel)--Diaz; Ber- 
éf Love; (panei—Diazi ; 


2,704 


SP el heh SPY ea 


Po ee ee fe ee ee ee eee oe ar er ee 


'del, brought a total of $85,215 last 
i night at the opening session of the 


2,50 sale by Thomas E. Kirby, of the Amer- 
= 70h ican Art Association, held in the ball 


| 162—Antives, vu du Cap—Claude Mo- 
a net; Durand Ruel. iy... s ee lhe ess 
; aa gy Haux- tremblanies a Brera 


bamuRe CHAS Monet; 


: See 


eae eeeeeeraneer 


Cee ee a eT 


'room of the Hotel Plaza. Many per- 


5,504 sons well known in society and the Age 
4,700 world were “present. 


‘Muller, agent. 


| 154 1-Village - 
er: Fien Mareke; G. 


ie Claude TEse 
185--Le Jardin a Giverny—Claude Mo- 


Durand Ruel 


nt TS Sider aay eet Decamps: 
aoe Gia Harkness. 
pee saps 


ee ee oe | 


(#5 f—La Meula a Giverny--Claude Mo- 
net; Durand Ruel. Pe oeeeeonueceasenee 


hota Seine a Bessancourt en Hiver— 
e Monet, Durand Ruel 
aux Nympheas; 


Pe ee 


Ce ee eo 


Se ee 


The keenest competition in the bid- | 
ding was for “The Return to the Fold,” 
by Jacque, one of five of his canvases 
in the sale, Starting with a bid of 


( 
1.004 


~ ¢,600 $1,000, it ran up to $5,000 in one min- 


ea Naude Monet; Arthur Meeker... 
159—Portal of 
(Morning Effect)—Claude Motiet, 


cee epee epee eee es pig eer vere 


ass Br Tet Flock, 
Mauye; James G. Shep- 


rae rs—Joseph 


G Gieude Monee 
461—Landscape and i ehoep-—ules Libis bi 


ae a ee 


| ute, and in less than two minutes it 
| was sold to W. W. Seaman, as agent, 
'for $8,200, the top price of the even- 


300 ing. This canvas, which is called a 


Seaman, agent : 
|462-——-Sheep in the Forest of Fontaine- 
hleau-—-C harles Jacque; Bernet, 


Corea weer ee saene renee gene 


wee eqte har evree 


i sterling Jacque of his best period, has 


8,100 for its subject a flock of sheep crowd- 
909 IN into the doorway of a stable at 


panei) --Daubigny; 
Sige ss Cee be b 7% vee 3; 850 
Baan — Jules 


in Wallachia— 
f Schreyer; A. Rudert, agent 
164—View of Amsterdam—Jakob Maris; 


1163— Y.-F igen 


‘eventide, while a robust shepherdess, 


17,000 crook in hand, stands by on watch that 


Holland Galleries 
165-—-Holland 


Par er ee ee 


Landscape and 
Anton Mauve; Henry Reinhardt 
paneil—George Inness; 


Pa” ‘of perenne 
diaz; Bernet, agent 


none of her flock may fail to be safely 
housed. Another of Jacque’s pictures, 


16, 400 “The Basse-Cour,” went to the same 


“Reinhardt & Son 
167—The Advance Guard--A. Schreyer: 

Howard Young 10 
168—-Love's Measage--William Adolphe 


weer ses ene n ed ees erheses 


ig le Marécage—- 


Bat ees eceevovirnew® 


eee eer eater er toes eeres rds 


HEAL; et es agent. 


_ buyer for $1,100. 
“An Arab Horseman at the Fountain” 


7,000 —a Schreyer—caused another battle 


Bouguereau; 
169—~ Landscape 
Réinhardt & Son 
Delight—Albert Neuhuy 8} 


rn ee ee ee ee ee 


Oech acta’ : 


Sev awse ever neve 


Cattle—Constant 


690 five collectors. 


ek Mothers’ 


Dre cect eae tar nee ay 


echaries hag 


emt seeaen eee este ee teers ne 


. R. Dette ad 


Scheldt—Clays; rand total for the 171 pictures of; 


royal in the bidding, between four or 
It was started at $500 
be. le to J. Clinton paisa for 


There was un- The first pid for Rosa Bonheur’s 


ithe sale was $517,512. 
usual general excellence in the collection, 
‘Thomas FE, 


ST at ae Pee oe ee 


“Sheep and Landscape;’” from Tedesco 


Kirby said at the close ofFreres, Paris, was $500. In less than 
the sale, and that it was altogether thé, minute it ran up to $3,800, for which 


ipetel -Jen qwisohn. 


‘best sale in his experience. 
epee Sere Rico; 


of a “Measare. 
Truce? Kranco- Prussian ead 
er color).—de Neuville; 
; a hace, hes ea Adolf Schreyer; 


ee 2 ee eee ee 


‘o 
he Edge of the Pond—Daubigny; 


ee ee ee 


Landscape—i. 

e;} Bernet, agent 
the Flock—Jules 

; Ralston Galleries y 

the Seaside—Jean 

Cazin: Ralston Galleries..... 5 


ae ee ee 


‘it was sold to Herman Katz. Captain 
Marion MeMillan’s bid of $3, 000 was 
the highest for Bouguereau’s “Reverie 
by the Sea,” from the Mandel collec- 
tion, and Henry Schultheis gave $2, 200 
for “Accepting the Challenge,” by 
Munkacsy, from the Loring collection. 
The pictures that brought $300 and 
bbove that figure, with the title, artist, 
uyer. and price, follow: 


‘Cavalier Smoking,’’ Charlemont; J. C. Will- 
ever 
“The Departure,’’ Meissonier ; Harvand Young 7006 

“Head of a ane Woman,’’ Henner; Frank 
Muller, Cegent):.. ....:. Faerie ha Pane ee 1,100 

ae eke” Gin and Her Flock,’* Troyon; 

WoW Beta)... ke te eee ORs vane iy ee 


Papen Ales gs 00 was “Mati 
Seir * which Otto Ber- 
co 0 i, bia ine Mi " 
1 Rie an arecage, 
fine piannple of Corot we work, went Pe 
| the’ aang tee for ' $12,7 he last 
owner SP Ne’ rig mavenasa it orig- 
Hnaliy tron the Knoedlers. The same 


7 ike ere See “puyers paid $10,200 f Daubi 
n ee rey u S p 1 or B. au igny ea | 
von Bremen; “The Edge of the Pond,” from the Petit 


; eR it ih hereae from AV ocaaes and Galleries, Pane | 


‘uitar,’’ De Madrazo; 


fh Average About $6,000 
Mitin Gana Viegas: * — Collections Sold | The total received for the Monet 


‘an Ws 
Susce ri 0. Barnet f 


EL, ade oa - 


oe pheteaene ase + ae $50) paintings——$160 200—shows that the 

ee a Sanchea- 425 , at the me L297 17 Aiea he for each picture was more than. 

; enry Schul- 6,000 | 
Ae eo 375 

 Yoltz: Heary Sehui- | Following isa list of the pictures 

Ree wa cee 94 MONETS nen cenenard USE that brought $300 and more, with the 


“Bis Bik Casi: * SPIRITED BIDDING bedces ene buyer and pri¢e, in that 


beet eae nwt cet ae ‘‘Moonrise,’’ Proyou; Re woul at Sen... $300— 
reer 3 W. W: Sea-- 700) 4 “A Meadow Stream,’ id ultheis. 650) 
fag! AS Rudlort 10522000. “Peaceful Days, Bolatate 

i if 4 i: are *Poilet.ef Venus,” Diaz: 0. PNaahiat (agent) 


scuttle 1 Canvas of Alma-Tadema| “Viwrn' a tne °otai* sce Faso 
Zire era ios ie 1058 Brings $19,000 — Even- Venus and Amour,’’ Diag; J. Reichman.. 850) 
ee jng’s Total Is $432,300 


“Sheep at the Brookside,’ Jacque; J. Strauss 625 
“The Rescue,”? Millet; M.. Knoedler...... .. 5,000) 
“TLandscape,’? Coro F. Muller. :. R 
“Cow and Gardener,”’ Vat Marcke; G a. 


D 350. Bherling Vs dyes cacace a eaten Wipe oe Reena 400 
ee res OO rinbbia) “egies 500 |. wee Contrehandiers,’’? Decatips; M. Knoéd- 
es C, Ross... Bs ss EE Se aN merce Etec em ON EAR 2 2,450 
iets. 1100 With-p total of $617,515, the sale of the fidko, Goes Hi ane e * £100 
re oe oO me ougning, auve; st > 
Wei ‘tach Mrs, ' a fala “On the Dunes,” Blommers; Joh dew... 525) 


Bite) See” Weal ¥ 925 171 paintings trom the Wotmser and| «-Sicpherdess and Flock,” Mauve; L 


Pia Sheppard 44 os 00 fc bwd oe ged og dears area oe eee 675 
5H, Cit noor ae a: 5,000° ‘other eet ee ie «be bitte oilseeds i igeadel a ee vn 
ree . | e 0 eaman (apent)) 40 07 ects wea mee. Wee ( 
stig aa + 1,000 American Art Association ¥ “Summer Time,” Van Marcke; 0. Beret: ates 
. Hy : Hoong : 1.700 Plaza, ended last night. It goes on rece | ee ee d’Avray,”” Corot; @. Bemet ripe 
4 , ord, according to. Thomas E. Kirby, who ‘Les. “Linges, | Haulhigny) G, Bastion, eet 
} Marquand.?..... °'950 {sold the pi¢tures, as the most success: | “Cottage et Visle Adam,” Dupre; 0: Berne 
nah Sled : By (-) 0h Peers Merce oe en hee ie ie eee ak a ri 
: se : fe gre Sues “Cattle at Rest,’ ‘Troyon; O. Beret (agent) 
; tis Cassie > 1,000 ful sale for the number vi ee Win the Fordut of Fontatneblaau,) Hate Oe iin 
mt - i Bernet. (AGONY ye5es pee auleparhe i sate anata i 
: 1 ee coere 559 Sold ever held in this city. Last nig | ee outihir aha” i6” Maiden Conan) a 
. alleges; D. Harrison, 400° ‘total WAS $482,300. M.  Kndedigt?s «304s checee ae spate det 12,760 
: ‘corms; J. Gold- ak | | \e Marais dans les Landés,’ Rousseau; | 
Wa ete aos 6 Ab sv gx 3 A | No such enthusiasm has beet: wits! R.  Loreng, 00.0, nee ii’ Banas 1 Bite 
Rix; ; Kennedy & Go... 435 “On the River Oise,” Daubigny; noedier 5,00 
R ‘ - (née Van OS Lata ie for years. Standing room Was) «4° poo) in the Woods, 0 Disa: i Enocdiad ue 
By ee ““Sunset,’’ Corot; Chas. TISON 5.6/0) Uerpea'y Viggo 40 
pigs yo hn Levy. 1,425 | ata premium in the big hall, and the ae Suntner Day,” Van Marcké; M. Knoedler 3,000 
dace; 8,200. ‘audience, made up principally of per: Uetendecape Aa) ana Troyon; John R. 5,200 
+ ee ee ee ed ompson rer er aie wt hae Wy ive we er eRe ae * 
: casa: Holland,” his ‘sons seldom sé¢én at auetion sales of| “Boats on tha Schelat,” Clays; W. Brady.. 720 
i eal een eee seve downs 650 | “Tndian Summer: Arkyille,” Wyant; Adolph 
P Wiehe Baird oe... ($25 art cbjéets, frequently broke intd ap-| Lewisohn < oo... ssicuss ees ees cide lesan 3, 
a, ‘Herman At | “Roses,”’ Robie: M. “Markham s: ss, .05. 00 790 
: auage ele Ma teehee oe 3 | | plause when the bids ran high, “Grand Canal, Venice,’’ Rico: Clapp & i 200 
es | Memon: ‘times the excitement was so marked RL a pe df NM Massage ‘Under a Wiag 08.” 
Pees aos 4,700 that the bidding ran ahead of the auc- Truce: Frarieo- «Prussian War,”’ de Neuville; ace 
ees) Denes was obliged to stop to .,{e,0eis éauties,? " Sohieers W."' Wh 
onta er, | -S$¢ 1: CAGGRE) Lie} aids Soe as Ape Perera it 
“The Baths of Caracalla,” a large | “he Road to the Seay? Dupre si canons #100 
ER GGT w'879 le oo j Lt Ny } s] a } ‘ 
canvas by Alma-Tadema, and the last. Teheedien: ACR LA Aa Bl bth eee tay . va Se 10,200 
“eter anes 2 ‘picture in the catalogue, brought the mate Jandach) Van Marehas oO. Be 
«§ MAMA. pa vte { AMSTEL) 5 se ap oe wc erelie wie eonene > 
rtrand; A. Rudert $19, 000, The bidding started at $5, 000 ‘ihe Returie of the Filock,’’ Dupré: “Ralston ? 
gS Sa eae 300 and it quickly ran into-five figiives,) Galleries .....c.ccsecceeevssecgecsstesns 2,500 
Festivities,’ ; Jiminez;.. John ‘en itr avelling by $1, 000: and $2, 600. H. } vaptses by ‘the Seaside, ** Cazin; Ralston «ade 
De ee eC hb Ome sare boevesereres < | GG ALLOETIOCS ce ee ee ee re ee ee ee eee nee Js 
igs ‘ Beinao: J. Gold- Do spauaeta 5 Son were ath Beevoeceye | ighaee an Forest, ” Jacque; Harry §. Hark- i 156 
WER as ttre eve ee seuss ace neas 300; The same buyers gave $16,400 fOr an | ness ... 6 lice eee phate een erect se sens 5 
; ay of re,”? Ziem; Scot 
Pee naka esas * ao] Eases canvas, “Sunset! whieh Mx |“Htune Bosls, Bay of Venios, | ee ooh 
rs,”’ Laissement ; Cia ‘Bradley, its last owner, bought from |The Open Sea,” Dupré; Ralston Galleries 2,100 
TE EE Raa ee £200’ the artist. Seventeén thousand dollars |‘‘Holland Landscape;”’ de Bock; Arlingtoy ) | 
*+” Scherrewitz; th- hp Herles’ |. ste duet caso icaleke eee anege } 
Sad ES Ae gigs ‘Ape 5 pa 425 was paid by the Holland Galleries for | Peinteoitens Near Amsterdam,” Clays: W, W. ft 
” de ‘Bock; Knoedler & “View of Amsterdam,” by Maris, a! Seaman .......sseesse ge rege sess e seen’ 2,600 
ia ‘Landacase, F Chita “ae “Hoos! J ee pe 1,400 | Dutch painter ‘‘Mohammedans at Prayer,”’ Gérome; R. H. oh eed 
oog; James KR. r Oren Zs dake ee WOR cn eke nD a5 
Por virpe os a 
oes Van Micreveit; “hiax S| Bidding on Monets the Chaise of Hie Fines ee 
I a 525 The feature of this final session of | ‘‘Near Dordrecht,” Ciays; Arlington Gal- ya 
Baie Bae ot tie Woods.” Hesier: Herman 4. the sale was the bidding on the seties |ad™"S écaai’ Veale Ziem: Rok Lavoie S200 
imwilling Guest,” Perrault; W. S. of twenty-four paintings by Claude | “Gathering Clouds,” Inness; wy. W. Seatnan ee 
Ge “Rehrepee: W. W.Soainas | Monet. Durand-Rue] & Co. seemed de- |..{itvir.** von Tenbach; D, 8. Dery t. 6am 
Oe. 2 ha ian marae 3,100 fe abialaa obtain the entire series, ‘Phe Prophecy,” Verestchagin; O. Bernet ou 
Selim-Shisti’s Monument,”’ They took seventeen of them, but in a | (agent) 6 lusogka Widisis only. Mens a side oa ee 9: 
’* Monet; Durand- 
MERRY RABOBET A405. - 26+. 2,100 spirited bidding bout between their rep-| “12 Séine & “ith Be ee ee ae 4,700 
p Ruel Company ie wis 
resevitativés and James Hastings for] ‘Rateaux de Plaisance & Argenteuil,’” Monet; bie 
“Vue de Bordighera” Hastings’s bid of Enea Bok” donate: Iueenmen ae 
$15,500 took the prize, Ruol Company. 66). ya sas Say eainied Pert yn 4,000 
_ Duratid, Ruel. & Co. gave $15,000 for| “Chemin de Nalage & Argenteuil,”” Monet; 
éé gs Hastings. oui. be~s nuke a eee 6,800 
La Seine & Bessancourt en Hiver,” | 3% Falalse Pres Fécamp,” Monet; W. 
| one of Moriet’s best examples of land-| ‘Ww. seaman (agent). ....¢ssssee gy enpenees 7,690 


Scape painting, but they lost “Le Bassin | ‘Paysage d’Hiver & Ltmateisa\ (3 Monet; 


1d-Ruel Wompany ....sesne reeset 9,000 
| aux Nympheas, Giverny” to Arthur |. Meagher,” Monet; James Has- ial 
Meeker, of Chicago, who bid $6,600 for} tings ...-....sssse rena REL Ba 15,5 

“Menton vu du Cap MAT Monet; u- 
thé canvas. This picture caused a sen- Dea Kiel CometRny! Yad cteuecue ra ace 8,000 
‘sation when hung, for by reason of the “Te Bras de Jeufosse,”? Monet; Durand- ‘ae 
mirage and reflection on the water it Gel Combai cess" Siaaat* phopeadl ie 
‘appeared as if it were upside down, “Rivet Company Reha a Pe vs egees 4.500 
The subject is the surface of a pond, 1, Manne Porte, Ftretat,”” Monet; Du- kaa 
with floating lilies upon it, Another _ rand-Ruel Company aa es es 


pares oe 
Bonhe 
x7? 


| 
| 
| 
; 
] 


ON FREE PUBLIC VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH 
BEGINNING 
WEDNESDAY, JANUARY 10th, 1917 


AND CONTINUING UNTIL THE DATE OF THE SALE 


HIGHLY VALUABLE 
MODERN PAINTINGS 


Pieetretin ls OF DISTINCTION 
BELONGING TO 


SEVERAL ESTATES AND PRIVATE OWNERS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


IN THE GRAND BALLROOM OF 
ee OLR: PLAZA 


FIFTH AVENUE, 58TH TO 59TH STREET 


ON TUESDAY AND WEDNESDAY EVENINGS 
JANUARY 16TH AND 17TH 


BEGINNING AT 8.15 O’CLOCK 


ILLUSTRATED CATALOGUE 


OF 


HIGHLY VALUABLE 
MODERN PAINTINGS 


BY ARTISTS OF DISTINCTION 


TO BE SOLD BY ORDER OF 
THE EXECUTORS OF THE ESTATE OF THE LATE 


ISIDOR WORMSER. 
HILL, LOCKWOOD, REDFIELD & LYDON, Attorneys 


MRS. HAROLD THORNE, MR. EDSON BRADLEY 
MRS. FLORENCE MACY SUTTON 


AND REPRESENTATIVES OF THE LATE 


F. L. LORING “AND THE LATE LEON MANDEL 


THE ENTIRE COLLECTION TO BE SOLD 


AT UNRESTRICTED PUBLIC SALE 


IN THE GRAND BALLROOM OF 


THE HOTEL PLAZA 
ON THE EVENINGS HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET, OF 
THE AMERICAN ART ASSOCIATION, MANAGERS 


6 EAST 23xrp STREET, MADISON SQUARE SOUTH 
NEW YORK 


ALL DETAILS OF II 
: TEXT ANDE 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute arise 
between two or more bidders, the auctioneer shall either decide the same 


or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. . 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4, Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 


which the Association is in no wise engaged, and will not be performed 


by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 


the parties engaged for such service. 


6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 
for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 


within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of any 
lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold ‘fas is”” and without recourse. 

The Association exercises great care to catalogue every lot cor- 


rectly, and will give consideration to the opinion of any trustworthy 


expert to the effect that any lot has been incorrectly catalogued, and, — 


in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 


New York City. 


FIRST EVENING’S SALE 


TUESDAY, JANUARY 16, 1917 


IN THE GRAND BALLROOM OF 
THE PLAZA 


FirtH Avenve, 58TH To 59TH STREET 


BEGINNING PROMPTLY AT 8.15 O'CLOCK 


Eugene Verboeckhoven 
0 o~ Betcian: 1798—1881 VOR : 


I—_-CHARGING BULL 


OOS hrm 


Panel: Height, 9 inches; width, 8 inches 


A CHARACTERISTIC and highly finished example. A white bull, 
marked with a large black spot on the shoulder, is seen, head 
erect and tail in the air, jumping over a barrier. The move- 
ment suggests a spirited charge of the animal. The setting is 
composed of a bit of roadway, with distance beyond, and a sky 
with gray clouds. 

Signed at the lower left, and dated 1867. 


By order of Mrs. Haroitp TuHorne, daughter of the late H. S. Witson. 


Francisco Domingo 
SpanisH: 1843— 


eet athe) hao 


2—A CAVALIER 
va s C. Aedlevtr Panel: Height, 6 inches; width, 5 inches 


A FULL-LENGTH standing figure of a soldier of the period of 
Louis Treize, with leather doublet and crimson breeches and 
sash, at rest with his sword in his right hand, the point resting 
on the floor. Back of him, on the left, is a drum of the period 
lying on its side. 


Signed at the lower right, and dated 1897. 


From the Henry T’.. Cox Sale, New York, 1902, Catalogue No. 34. fo. } 
From the collection of the late F. L. Lorine. 


EKduard Charlemont 


AustTRIAN: 1848-—— WOO eee 
38—CAV ALIER SMOKING 
Panel: Height, 84% inches; width, 51% inches 


A CAVALIER, in a rich costume of black, with white shirt, lace 
collar and cuffs, is here depicted seated on the arm of a high- 
backed chair with his left hand resting easily on his hip, while 
the right holds a long clay pipe he is smoking. On a table 
beside him is a bottle, and a glass partly filled with wine. 


Signed at the lower left, and dated ’83. 


Purchased from M. Knoedler & Co., New York. 
(2K 7_, From the collection of the late F. L. Lorine. 1896 + BAMXX , 


bt py bee 3 bedlunlale boeliny Iarshe 1ofibjb 8A UXK 4 
be Fouglih ch foo S0-dtay y fe SS8O . fers bce he frnusey A3/1b48 y 


Alberto Pasini 
Iravtian: 1826—1899 


4—A COURTYARD IN CONSTANTINOPLE 


Height, 91% inches; width, 7% iches. 


_ A GroupP of three vendors is here depicted in a courtyard, one of 
them holding by the bridle a horse with panniers filled with 
fruits. -At the head of the stairway is a man with a green tur- 
ban, who is probably the proprietor of the house. The effect 
is in sunlight, falling on the white walls of the buildings and 
casting shadows within the archways. 


wo 


Signed at the lower right, ind dated’ 1871. 
Mary J. Morgan Collection, New York, 186, Catalogue No. 204. P1085" ; 
By order of Mrs. Harotp THorne, daughter of the late H. S. Witson. 


Jean Louis Ernest Meissonier bron. dl 
Frencu: 1815—1891 i 4, 


5—THE DEPARTURE eo Adaeay ra 
Panel: Height, 124% inches; width, 8 inches 


FRAMED in the walls of an apartment and a doorway leading 
upward by a pair of stairs into the sunlight, is a cavalier de- 
scending the steps. The figure, costumed in gray doublet, pink 
sash, high boots, steel neckpiece, and a wide-brimmed Louis 
Treize black hat, holds up his sword in his left hand, while the 
right takes hold of the rail of the stairway. 


Signed at the lower right, and dated 1880. 
N. Q. Pope Collection, New York, 1896, Catalogue No. 57. #0004 


From the collection of the late F. L. Lorine. 


ey Prosper Etienne Berne-Bellecour 
mC wv ae Frencu: 18388—1910 


6—A FRENCH ARTILLERY MAN 


ce fh | sper. Panel: Height, 141% inches; width, 10%4 inches 


A FULL-LENGTH figure of a French soldier, in dull blue uni- 
form with red stripes on the trousers about to pour something 
from his canteen into a tin cup which he holds in his left hand. 
The setting for the figure is composed of a bit of roadside, 
fields, and a belt of woods, with a sky of ight gray above. This 
work is marked by the careful drawing and skilful execution 
of a well-known French military painter. 


Signed at the lower right. 


By order of Mrs. Haroup THorne, daughter of the late H. S. Witsoen. 


Pp 


Charles Edouard Delort 
Frencu: 1841—1895 ited phere 


7—HALF-SEAS OVER eit C4. [per x ploar A 


Panel: Height, 10 inches; length, 141% inches 


SEATED on a bench against the bulwark and netting of one 
of the Channel steamers is a cardinal, in red robes and hat, who 
is seemingly finding it a difficult matter to cross the Channel 
_- and maintain his dignity at the same time. In one hand he 
holds a smelling bottle and in the other his breviary closed, 
with one finger inserted to mark the place, while on the bench 
beside him is his traveling rug, and on the deck at his feet 
his open traveling bag, whose fittings show a variety of glass 
receptacles containing, doubtless, remedies for distress of mind 
and body. Farther along on the deck at the left is his liveried 
servant who, while leaning over the rail, still holds faithfully 
in his hand the cardinal’s umbrella. ‘The sea, seen beyond, 
shows rather rough weather, and spray is being blown over 
the vessel’s side. 

Signed at the lower right. 


Purchased from the N. Q. Pope Collection, New York, 1896, Catalogue 
| No. 11.-#4 K0o~ 


From the collection of the late ¥. L. Lorine. 


Kh, baletid Selo SS }4¢) 8 foo 4%. Up 


eon, 
5 %, 


Lu JO Jean Jacques Henner 
Frencu: 1829—1905 


A. Pratt: Ibe, off. 


8 HEAD OF A YOUNG WOMAN 
Height, 16 inches; width, 18 inches 


A LIFE-SIZE head of a young woman, crowned with golden- 
brown hair, in full face view to the spectator, with a gleaming 
bare shoulder and a bit of blue drapery below. ‘This is one of 
the most charming of many examples of similar subjects by 
the celebrated French artist and is remarkable for the sweet- 
ness of the young girl’s expression as well as for the brilliancy 
of the whole as a piece of painting. 

Signed at the upper left. 


From the collection of the late F. L. Lorine. 


Constant Troyon Ving, ik : 
FrencH: 1810—1865 Vv . 


9—A TURKEY GIRL AND HER FLOCK 
Panel: Height, 18 inches; width, 934 inches 


Wels OE 


In the immediate foreground, advancing toward the spectator, 


is a large flock of turkeys, most of them with white plumage 
but including a few with brown and bronze, while behind them 
and directing their movements, with her left hand outstretched, 
is a young girl with blue bodice, gray skirt and white apron. 
The figure and the birds are relieved against some autumn 


foliage and a sky of gray. 
Signed at the lower left. 


From the collection of the late F. L. Lorine. 


—— eS "ee 


7 a eee 3 ~ “we 
Narcisse Virgile Diaz de la Pena \ 
Frencu: 1807—1876 


\/ 700 ww 
| 10—LA GORGE AUX LOUPS: FONTAINEBLEAU 


CAR ie Pion Height, 934, inches; width, 18%4 inches © 


A portion of the beautiful Gorge aux Loups in the Forest 
of Fontainebleau is presented in this charming picture. The 
gorge runs through the middle of the composition, with an 
oak and some rocks on the bank at the right wherein is seen 
a seated woman, and on the left are seen some stretches of 
sandy ground, herbage, and a group of fine trees on the crown 
of the hill which slopes from below to where it meets the sky. 
The sky itself is composed of gray clouds of fine quality with 
others of tempered white. 

Signed at the lower right. 


Samuel P. Avery Collection, New York, 1886. 40 2¢@4gue © L haa AOKE 


Purchased from the Henry T. Cox Collection, New Y oe 1902. -t IS, Bbii 


From the collection of the late F. L. Lorine. 


oes / O00 \ 
Narcisse Virgile Diaz de la Pena fi | 
Frencu: 1807—1876 / Tg Fe y, 

1I—SUNSET AFTER RAIN Py 6b 


hs 


A COLORFUL example, depicting a wide stretch of country, 
bordered in the middle distance by trees. A roadway leads 
from the middle foreground into the picture with a tree or two 
on either side. ‘The sun is seen just descending below the 
horizon in a sky showing warm tints with gray clouds above. 


Panel: Height, 10 inches; length, 15 inches 


Signed at the lower right. 


By order of Mrs. Haroip Tuorne, daughter of the late H. S. Witson. 


Paul Jean Charles Clays 
Beucian: 1819—1900 


12—A CALM ON THE SCHELDT 


a elianialae ——— 


wh 0 0 — Panel: Height, 94% inches; length, 1444 inches 
| A mass of shipping in mid-stream, in the right-hand half of 
j ZZ Verne, the picture, shows two fishing boats with their sails up and, a 
hi little back of them, a large square-rigged vessel with black 
hull. On the left are two or three fishing boats balancing this 
more important mass on the right. The sky is filled with white 
and gray clouds, and the water shows a general tone of gray. 
In this setting the shipping makes a most effective note, both 
as to its value in the arrangement and in the color scheme of x 
the whole. ae : 
Signed at the lower left. 


By order of Hitt, Lockwoop, Reprieitp & Lypon, Attorneys. : 


“£hny) 


9p 


yas 


as 


+, 


y e Professor Ludwig Knaus 
j GERMAN: 1829—1910 


13—THE QUARREL 


Height, 11 inches; length, 181% inches Wig JA ne 


SomE sort of a party has been going on in an apartment which 
shows on the left, over a stairway coming up from below, a 
platform on which are some musicians and women. The party 
has ended in a quarrel, as shown by the attitude of the three 
principal figures in the picture. A man is half prostrate on 
the ground near.a broken chair, gripping with his hand his side 
where he has been hurt. Another man, upright, and eager for 
still more fighting, is in the middle of the room, and near him 
is a young woman who is wringing her hands. There are other 
broken chairs and the stairway railing has been smashed as 
well. At the head of the steps people are seen coming up to 


find out what has happened. 
Vat at the lower left. 


‘ a 


Purchased from the late William Schaus. ie es 


From the collection of the late F. L. Lorine. Gi: 
Sr ee BKKAXK 
Aap hy , ape: a are 
(Kee bho 


) = Emilio Sanchez-Perrier : 


SpanisH: 1853—1907 
144—THE RIVER OISE 


Panel: Height, 16 inches; width, 1214 inches x 


A PLEASING waterside scene with ie river occupying the ye 
ground and graceful trees on the shore, which traverses the 
middle of the canvas. A punt or two at the left and a white 
house on the hillside diversify the landscape, while the placid 
surface of the water reflects the gray-green foliage of the trees 
and the pale blue of a summer sky. 


Signed at the lower left, and Sv. Oven. 


By order of Mrs. Harotp Tuorne, daughter of the late H. S. Witson. 


ee en en ftp meme = AH 


rgéZ 


Hermann Kaulbach od a_ 


GERMAN: 1846—1909 
Jigo Cl. Hachler 


| 15—THE CHILDREN’S CLASS IN A CONVENT 


Panel: Height, 19 inches; width, 12 inches 


In one of the rooms of a convent, with smooth wooden walls 
upon which hangs a picture of the “Mother and Child” in a 
gold frame, a kindly-faced nun is giving a lesson in industrial 
accomplishments to three little girls who are seated on her 
left. The children and the teacher are all engaged in knitting, 
but the sister is reading meanwhile from a book open before 
her. On her right is a fourth little girl who is neither knitting 
nor reading but biting into a rosy apple. 


Signed at the lower right. 


-Purchased from the Heinemann Galleries, Munich. 


From the collection of the late Leon ManveEt. 


Johann Georg Meyer von Bremen 
GERMAN: 1813—1886 


16—A LITTLE GIRL READING 


Height, 174 inches; width, 138% imches 


A BLUE-EYED little girl, with blond hair falling in curls on her 
shoulders, is comfortably cuddled up on a bench in the corner 
of a cottage room, holding a large book open before her, and 
looking over it with bright eyes and smiling expression. Her 
right arm rests on a table beside her on which is a piece of 
knitting, with the needles and a ball of yarn. On the left is a 
window with plants on the wide sill and a bird in its cage above. 

Signed at the left center, on the tablecloth, and dated 1848. | 
From the D. W. Powers Collection, New York, 1899, Catalogue No. 24. BZ | 


By order of the Executors of the late Istopor WormseEr. 


Jean Louis Hamon 


FrencH: 1€21—1874 4 9 hoki 


17—LOVE ON A VISIT Wi 70 Baca 
Height, 18 inches; length, 1644 inches 


A LITTLE cupid, nude, with a pair of white wings, is seen knock- 
ing at the door of a humble cottage. The setting for the 
figure consists of the walls of the little house, some vines, and 
an implement or two, indicating that the occupants are peasant 


husbandmen. 
Signed at the lower right. 


By order of Mrs. Haroip THorne, daughter of the late H. 8S. Witsox. 


J. Francis Murphy, N.A. 
AMERICAN: 1853— 


18—_SUNSET 
Height, 14 inches; length, 19 iches 


RuaGcep ground, with large boulders scattered about, occupies 
the foreground; in the middle distance is the suggestion of a 
stream, and beyond are groups of slender trees silhouetted 
against a sunset sky, which shows tints of orange-gray and 
blue. At the horizon are two or three touches of lighter tint 
where the sun has disappeared. 


Signed at the lower right, and dated °88. 9, 


By order of Mrs. Harotp Torys, daughter of the late H. S. Witsow. 


* 


es eric td 
sateen is ba 


Richard Wilson 
Britiso: 17138—1782 
IL0- 


19-ITALIAN LANDSCAPE 


Height, 134% imches; length, 16 inches 


A COMPOSITION on classical lines, showing groups of trees on 
either side reaching up to the top of the canvas, and a vista 
between of a lake, castle, forest, and a distant range of moun- 
tains. In the immediate foreground, where the waters of the 
lake run swiftly through an outlet, two men are drawing in a 
net. Over all is a sky of tempered blue with masses of warm- 


tinted clouds. 


From the sale of the Wallace Collection, London. 


From the collection of the late ¥. L. Lorine. 


\o Pe OQ F ‘ \ ww < 4 a ’ wath res I rm \ z 
past O ; bs O1/ A ie | Soe CAA SO Wed Be A \ SULA Lp rea “1G, a + C 


\ Luis Alvarez 
\ SpanisH: 1841—1901 


200—THE DANCING LESSON 


Panel: Height, 19 inches; width, 14144 wches 


AL GENRE picture with three figures in an apartment with ornate | 
furniture. A young woman, in costume of green and pink, 
occupies the center of the composition, as she is about to take 
a step forward under the instruction of her dancing-master, 
who, with his violin and bow, is seen on the left. On the right 
is the duenna seated in her chair with her embroidery on her 
lap. 

Signed at the lower right, Roma. 


By order of Mrs. Haroutp TuHorne, daughter of the late H. S. Witson. 


(yO 


Raimundo de Madrazo 400- 
SPANISH: 1841— 


21—-YOUNG WOMAN WITH A GUITAR fy y Th oe 4 
Panel: Height, 1814 inches; width, 141% inches 


44 YOUNG woman, seated in an armchair on a terrace, a large 
green tub with a tree growing in it behind her, and the back- 
ground composed of green foliage. Her costume consists of 
a pink gown with flounced skirt, a red shawl about her shoul- 
ders and white lace draping the head and neck. Her head rests 
on the back of the chair and she holds with her slender fingers 
the top of a guitar standing upright at her side. 

Signed at the lower right. 


William H. Stewart Collection, New York, 1898, Catalogue No. 37. $2500, 


By order of the Executors of the late Isiporn WormseER. 


\ an 


Jose Villegas | S| 
Spaniso: 1848— 


22—THE BORDERS OF A VENETIAN CANAL 
. Panel: Height, 13 inches; length, 20 inches 


In this attractive Venetian view the foreground is occupied by 
a landing-place, where there is a little girl looking at a flock 
of pigeons. Beyond are pots of flowers and a tree by the 
waterside. Across the water, which runs through the middle 
of the picture, are various buildings and towers. These ele- 
ments, together with a sky of gray tempered with blue, form a 
pleasing ensemble. 


Signed at the lower right, and dated 1882. 


Purchased from G. Mannheimer. 


From the collection of the late Lkon Manpet. 


ee Le eS a 


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ZV Emilio Sanchez-Perrier 
y | ( SPANISH: 1853—1907 


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23—LES PECHEURS: SCENE IN SPAIN 


| Panel: Height, 131% inches; length, 2214, inches ja 


_ STEEP shores, with birches and other trees in the left fore- 
ground, and hills in the middle distance, frame in the smooth 
waters of a river, which is seen on the right. ‘Iwo fishermen, 
| in a punt, are near the farther shore. The sky of light grays 
| fills the upper right of the composition and glimpses of it are 
also caught through the green foliage of the trees. 


Signed at the lower left, with Aucata. 


Purchased of Boussod, Valadon & Co., who procured the picture direct 
from the artist. 


By order of Mr. Epson Branpiey. 


Charles Joshua Chaplin. 
Frencu: 1828—1891 


24 THE PET RABBIT 
Height, 21 inches; width, 15% inches 


A. THREE-QUARTER-LENGTH portrait picture of a young girl, 
full face to the spectator, holding a white rabbit in her arms. 
This is one of the pleasing types of femininity portrayed so 
successfully by the artist, Charles Chaplin. The costume con- 


sists of a low-neck frock of pale red and green, and in the 
blond hair there is a red rose. 


Signed at the lower left, and dated 1871. 


By order of Mrs. Haroip TuHorne, daughter of the late H. S. Witson. 


. we Claude Maillard 


Frencn: 1840— ge 


25—EXPECTATION Dy ey: 
; ad’. 


Height, 22 inches; width, 1614 inches 


In a simple homelike interior, wherein some of the furnishings 
are a table, a chest of drawers, a spinning wheel, a clock, a 
mirror and a bird-cage, is the standing figure of an elderly 
peasant woman, with gray-blue apron and white cap, in the 
act of pouring milk from a jug into a flat dish. At her feet 
are two expectant cats awaiting their meal, while three kit- 
tens are playing on the floor between them. 


Signed at the lower right. 


By order of Hitt, Lockwoop, Reprietp & Lypon, Attorneys. 


yy Anton Heinrich Dieffenbach 
GERMAN: 1831— 


26—THE APPEAL 


SG Le Height, 2234 inches; width, 18 inches 


A LITTLE boy, with brownish-red underdress and yellow-gray 

breeches, is seated on a big stone by the roadside, holding in 

his hand a large slice of bread, while before him a cat rubs 

her back affectionately against one of his legs, and a little dog 

sits up, begging for a share in the lunch. ‘The background 

shows masses of foliage and a road, with a col under the 
_ trees, at the right. 


Signed at the lower left. 


By order of Mrs. Haroitp Tuorne, daughter of the late H. S. Witson. 


a kteypdnie ge tes neeailone 


E 


Anton Braith 
GERMAN: 1836— 


weeps 
27—A JOYOUS MORNING 


Height, 1914 inches; length, 24 inches fg Pi Je pultpeeg 


THREE yearling calves are seen bounding forward toward the 
spectator in the foreground of the picture while several cows, 
which seem perfectly staid and undisturbed, are behind them. 
On rising ground in the pastures, on the right, is a goose-girl 
looking at the antics of the yearlings while her geese are about 
her industriously picking up their living from the sparse her- 
bage. 

Signed at the lower right, and dated Mtncuen, 1886. 


Purchased at the M. Knoedler & Co. Sale, 1893, New York, Catalogue 
No. 129.-4 S00 - 


From the collection of the late F. L. Lorine. 


9b brglth fom’ immer» bo Mathe AXKK - dagurh tdy,. 


sal tet ie i Oe, Ri as = 


—T\ 

Friedrich Johann Voltz 
ms <Y GERMAN: 1817—1886 

Be O— 


283—CATTLE AND LANDSCAPE 


é ge LL, Panel: Height, 14 inches; length, 25 inches 


A croup of sleek cows are seen in the right foreground in the 
dooryard of a house, with thatched roof, which appears beyond 
a fence behind them. On the left are willow trees and a stream 
with a fisherman casting his line. Overhead is a summer sky of 


clouds and blue. : 
Signed at the loewr left, and dated 1881. 


From the collection of the late Lron Manpkt. 


Théophile de Bock 
Durcu: 1850—1904 See 


29—A DUTCH PASTORAL i VS ~ 
Panel: Height, 141% inches; length, 24 inches 


A. REMARKABLY good de Bock and in itself a landscape of 
charming colorful quality. Pasture-fields and a stream occupy 
the foreground while, in the middle distance, well placed as 
to composition, are several trees, two of which reach to the 
| top of the canvas. Beyond is a level stretch of country and a 
| bordering belt of trees. The sky shows broken gray clouds 
' and harmonizes admirably with the quiet greens and grays 
employed in the depiction of the fields and trees. 


Signed at the lower left. 


By order of Hitt, Lockwoop, Reprirtp & Lypvon, Attorneys. 


Soho F. J. Du Chattel 
. Dutcu: 1856— 


30—EV ENING GLOW 


Height, 16 inches; length, 22 inches 


Tue placid waters of a stream or lake fill the foreground and 
reflect clumps of trees growing on the bank beyond, at the 
right and in the center of the composition. The sky shows 
tints of fading blue with warm gray clouds and qualified sunset 


tints at the horizon. 
Signed at the lower left. 


By order of Hitt, Lockwoop, REDFIELD & Lypon, Attorneys. 


y| Erskine Nicol, A.R.A. 


Britis: 1825—1904 Lf 


381I—PATIENCE IS A VIRTUE eI Ce 


Height, 24 inches; width, 18 inches 


THE interior of an English house with a stairway, covered 
with a red carpet, leading from a hall in the foreground up into 
an apartment beyond, where is seen seated an elderly country 
gentleman with a document in his hand. Leaning against the 
bannister at the foot of the stairway, on the right, stands a 
tenant farmer, wearing his great-coat with cape and holding 
his hat in his hand, evidently waiting until the squire is ready 
to give him his answer or a message he is to deliver. 


Signed at the lower ae and dated 1869. 


Purchased from the Edward M. Knox Collection, New York, 1906, 
Catalogue No. 10.~9 706-1 Jelal tidte » Sobyonity 


By order of Hitt, Locxwoop, Reprietp & Lypon, Attorneys. 


Henry Mosler 
AMERICAN: 1841— 


32—THE COTTAGE AT THE WATER SIDE 


VO Height, 20 inches; length, 24 inches 


8 TS beak, 


Tue foreground on the left, consisting of the green banks of a 
stream, slopes upward to a cottage, with white walls and 
thatched roof, embowered in a clump of trees and bushes fill- 
ing the middle portion of the picture. The right foreground 4 
shows the stream, and beyond is a glimpse of harvest fields. | 
Overhead is a sky of gray clouds with spaces of blue. The 

effect is one of sunlight and an effective note is made by the 

gleam of the sun on the white walls of the cottage: 


Signed at the lower left, and dated ’94. 


By order of Hitt, Lockwoop, Reprietp & Lypon, Attorneys. 


O 


Sa | Wi an 


Emilio Sanchez-Perrier 


SPANISH: 1853—1907 Wi. Le it, 
: - } 


33—THE FERRY 
Panel: Height, 18 inches; length, 21% inches 


THE foreground of the picture is filled from side to side with 
the smooth waters of a river and, on the bank at the left where 
a group of willows is seen, is a landing-place for boats. Two 
substantial-looking row-boats are at the landing, with two 
men, one of them holding a pair of oars, and the other a painter. 
Rising ground and bushes are seen on the farther shore, and 
overhead is a summer sky of pale blue gradating into warm 


tints in the lower part. 
Signed at the lower left. 


By order of Hitt, Lockwoop, Reprietp & Lypon, Attorneys. 


Abtucet. ligt 


Re fs 


P. Salinas 
ITALIAN: CONTEMPORARY 
34 SPANISH CAFE 
Height, 154% wmcehes; length, 26 inches 


AN interior with numerous figures, both men and women, who 
are grouped about, seated at tables playing cards, drinking and 
chatting. On the left, near a large stone fireplace, are two fig- 
ures of young women and aman. Water bottles, baskets and 
other accessories are seen in the foreground. 


Signed at the lower right, with Roma. 


By order of Mrs. Haroup TuHorne, daughter of the late H. S. Witson. 


ys) ‘% Leon Richet L7G ia 


Frencu: 1847—1907 


35—BRITTANY LANDSCAPE ea Cag td 
Height, 20 inches; length, 251 inches 


THE scene is in French pastoral country and is depicted with 
quiet low-toned tints of qualified browns, greens, and grays. 
A stream passes through the level lands of the foreground, in 
the middle distance are two cottages and a number of trees, 
and the sky shows broken clouds of gray and white. 


Signed at the lower left. 


By order of Hiri, Lockwoop, Reprirtp & Lypon, Attorneys. 


PR 


Gustave Rudolphe Clarence Boulanger 
oe oes Frencu: 1824—1888 


Height, 261 inches; width, 17 inches 


THE Emir, whose costume consists of an ample red cloak lined 
with white, has descended from his black horse, which is seen 
standing in the background, and is about to. kiss the hand 
of a lady who is standing at the foot of an olive tree. A fine- 

looking chieftain, wrapped in his white burnous, is seated — 
nearby and a follower is lying at ease on the ground. The 
group is skilfully composed and, with the arrangement of red 
and white and the gray greens of the foliage of the olive ErON 
in the background, makes a very effective picture. | 


Signed at the lower right, and dated 1871. 


By order of Mrs. Harotp Tuorne, daughter of the late H. S. Witson. 


A 2 sae OT Caste Sti ae naa En 


William Adolphe Bouguereau Pot Oe 
Frencu: 1825—1905 | 


37—SPRING (Pererg Sb ful litet 


Height, 26 inches; width, 2114 inches 


A. CHARMING example of Bouguereau, depicting a little girl 
seated in partly side view, with her head turned full face to 
the spectator, holding in her hands a bunch of spring blos- 
soms. Her low white dress is shown slipping down from 
the shoulders so that the chest and arms are bare. The suave 
drawing of the celebrated painter is well exemplified in this 


Canvas. 
Signed at the upper right, and dated 1896. 


Purchased from the William Schaus Galleries, New York. 


From the collection of the late F. L. Lorine. 


10) 


ie Jules Adolphe Breton 
7 ee. Frencu: 1827—1906 


ve Y, 
i “- (IL EEX 4 SUMMER DAY: COAST OF NORMANDY 
Height, 23 inches; length, 35 inches 


THE view is from within a cove on the coast of Normandy, 
with high rocks on either side. Here, about a tide-water pool, 
are peasant women washing clothes while two girls are idling, 
perched on the boulders on the right. The vista beyond dis- 
closes blue waters breaking gently on the beach, a headland 
and, farther away, a stretch of hills with rounded tops. In 
the upper part of the blue sky are some white clouds. 


Signed at lower right, and dated 1871. 


Purchased from the sale of the Henry M. Johnston Collection, New 


York, 1893.-$59-1 8 2550-4 


By order of Mr. Epson Branpiey. 


Jom tee te dalow totttlor, Cites 


iA ee 


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Jules Dupre 


2 IO 


Frencu: 1812—1896 yagi oe 
39-MORNING: LA MARE 


Height, 15 inches; length, 22 inches 


A SOBERLY impressive picture, the principal elements in which 
are a pond or lake in the foreground, a large tree at the left 
center, and a stretch of country with hills beyond, on the 
right. With these simple features and a sky composed of gray 
clouds with spaces of tempered blue in the upper portion, the 
artist has made an attractive colorful composition. 


Signed at the lower right. 


Purchased from Julius Oehme, New York, 1911. * hth am Li) Lathe 


From the collection of the late F. L. Lorine. Lev \r 
. wee 


a 0 
Pierre Etienne Theodore Rousseau 
Lt. Wg So ae . : Frencu: 1812—1867 


40—THE ARTIST'S HOME AT BARBIZON ‘ig 
Panel: Height, 171 inches; length, 21% inches | | 


Tuis canvas shows the artist’s home in Barbizon on the out-  — 
skirts of the Forest of Fontainebleau, and is painted in warm _ 
tints, with the drawing of the buildings, trees and other ele- 
ments carefully done, as was the habit of Rousseau when mak- 
ing the first painting for a picture. Among the browns and 
greens, which are the predominating color notes, the red skirt 
and white bodice of a woman passing along the roadway give 
agreeable contrasting notes. Over all is a sky of qualified 
blue and gray. 
Signed at the lower left, Tu. R. : 


: 
| 
: 


Collection of M. Isidore Bloch, Paris, 1896. fio Atte eusad ‘is 


From the collection of the late F. L. Lorine. : 


Emile Van Marcke age 
Frencu: 1827—1910 


| eee 
41 YOUNG BULL IN STABLE ca Wart 


Height, 16 inches; length, 22 inches 


A PICTURE of a yearling bull, with coat of dark brown and 
white, attached to a post in a stable. The attractive-looking 
young animal is shown in side view with his white face turned 
to the spectator. It is a truthful, well-rendered portrayal. 


Signed at the lower right. 


From the sale of the studio effects of E. Van Marcke, Paris, Catalogue 


No. 88.40 /S5o- 
Purchased from Julius Oehme, New York. Params uth 


From the collection of the late F. L. Lorine. 


O 


iO Julien Dupré 


» j Frencu: 1851—1910 
CG ifers 


42THE MILKM AID 


Height, 22 inches; length, 26 inches 


A FRENCH scene of farm life with the chief interest centered 
in a wholesome-looking peasant girl, in blue, black and white 
as the colors of her costume and a red kerchief on her head, 
advancing in the left foreground, carrying two pails of milk. 
The landscape environment presents a pasture and pollard 
willows, all in brilliant sunlight, with black and white cows given 
prominence in their place back of the milkmaid. A frank, 
direct piece of painting in hardy, virile tints. 


Signed at the lower right. 
Purchased direct from the artist. 


By order of Mr. Epson Braptwey. 


ES. at ent tos Oh 


4 


Anton Heinrich Dieffenbach 
GERMAN: 1831— 


his ee 
43—SHEARING THE PET ci 


Height, 19 inches; length, 231% inches voll ieee. 


A TONDEUR DE CHIENS has just finished the job of artistically 
clipping a white poodle, seen standing on an overturned tub. 
The clipping artist, who wears blue overalls and a red cap, 
leans back in his chair as he contemplates his work, and a 
little girl—presumably the owner of the dog—is standing 
nearby. A small dog of the terrier race joins in the general 
admiration as he reaches up at the side of the tub with his 
forepaws against the rim. This picture is distinguished by a 
fine mellow tone and agreeable unity of color. 


Signed at the lower right, and dated Paris, 1867. 


James H. Stebbins Collection, New York, 1889, Catalogue No. 6. IKIE- 
By order of Mrs. Haroip THornNe#, daughter of the late H. S. Witson. 


\ \ 6% 


ee OOS Charles Emile Jacque 


A Frencu: 18138—1894 


44—THE BASSH-COUR 
Height, 26 inches; width, 214% wmches 


In a corner of the poultry-yard, which the French denomi- 
nate the “basse-cour” as distinguished from any other part 
of a farmyard or environments of a barn, a number of chickens 
are roosting on a stone wall, these appearing in the upper por- 
tion of the picture, while two hens are seen in the foreground. 
A great brass kettle and a chip broom are introduced as among 
the familiar utensils of their surroundings. All the chickens 
are hens except one, a rooster on the stone wall who, instead 
of sitting down quietly like the rest, is up and on watch. 


Signed at the lower right. 


By order of Hitt, Locxwoop, Reprietp & Lypon, Attorneys. 


seieatieeatin 


Cr Crpines aiid yen rratiieeenesiptann 


a 


peal 
Franz von Lenbach vs 
Jive. Zs 


GERMAN : 1836—1904 


. aww 
_ A THREE-QUARTER-LENGTH standing figure, portraying the 
great German statesman, who is dressed in civilian black, in 
nearly full face view and the hands resting on the top of a chair. 
The light is concentrated on the head and the white stock around 
the neck. Other elements of the picture, such as the two hands, 
are very much subdued in order to make the head prominent. 


| 
| 


Signed at the lower right. 


ae a ee 


By order of Hitt, Lockwoop, Reprieitp & Lypon, Attorneys. 


BM. Onueh- ° blu. 


IWO0 Adolf Schreyer 


l Daye Sperecer GERMAN: 1828—1899 


46—AN ARAB HORSEMAN AT THE FOUNTAIN 
Height, 231% wmches; length, 29 ne 


A BEAUTIFUL gray Arab steed is here depicted in side view, 
and at his side is his master who is about to remove the saddle 
and trappings. Behind this handsome group is a large stone 
watering trough and the walls of a building. The whole is 
depicted with the characteristic color and technical style mM the 
celebrated painter of Oriental subjects. | 


Signed at the lower right. 


The William Schaus Galleries, New York, 1885. hrs cttalumuc > 


From the Mary J. Morgan Collection, New York, 1886, Catalogue . 
No. 1385.~ $9/00-1 


By order of Mrs. Hanoy Tuorxe, daughter of the late H. S. Wirson. 


No. 47 
FLOWERS AND STRAWBERRIES 
BY 


JEAN BAPTISTE ROBIE 


oe Dalbr BEexteian: 1821—1910 


—47—FLOWERS AND STRAWBERRIES 


a 


Jean Baptiste Robie | | 


Panel: Height, 27 inches; width, 20 inches 


A sTiLu life picture showing a great bunch of white and pink 
roses and a dish of luscious strawberries. On the left is a 
silver goblet with cover surmounted by a figure. 
Signed at the lower right. 3 

From the Mary J, Morgan Collection, New York, 1886, Catena | 
No. 191. “$$ 2100- A. Ahhh a 


By order of Mrs. Harotp Tuorne, daughter of the late H. S. Wetstan 


No. 48 


RIVER AND SUNLIGHT 


BY 


FRITS THAULOW 


Wb. W\e 
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Grorfe tu &, « 
a 


L! 


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F 


\ Frits Thaulow | 


YOO — Norwecian: 1847—1906 


f) 


#: j U Ane AALAJ 


a 


48—RIVER AND SUNLIGHT 


% 


Height, 24 inches; length, 2914 inches ’ 


anne 


A wIbE and, by the look of the water, a deep stream, flows 


. through the picture between rather steep banks, with rocks and 


trees. There is but a small space of sky in the composition, 
which is seen at the upper right, but the water shows reflections 
of qualified blue mingled with the whitish-gray of breaking 
waves as the river flows swiftly past the bank which is seen on 
the right. Here are growing two pine trees with overhanging 
branches, the upper part of the foliage and trunks receiving 
the late afternoon sunlight with a vivid glow. A truthfully 
observed effect, depicted with frank, direct handling and virile 
tints of color. 

Signed at the lower left. 


By order of Hitt, Locxwoop, Reprietp & Lypon, Attorneys. 


William Adolphe Bouguereau a7 OO 
Frencu: 1825—1905 


Aft thawen Te § 
49—REVERIEH BY THE SEA A 
Height, 28 inches; width, 20 inches 


_ A PICTURE of a young and beautiful woman resting her arm 
on a rock, on the shore of the sea, which is behind her. Her 
head and shoulders are covered with a drapery of light gray 
and her face is thus somewhat shielded from the full light 
which illumines the sky and the water. In full face to the 
spectator, the features denote reflection, or day-dreams, and 
attract especially by a frank and winning expression. 


Signed at the lower left, and dated 1884. 
Purchased from Arthur Tooth & Sons. 


From the collection of the late Leon Manpvet. 


“Oo 


A 
Joseph Bail 


es far f. Yy / Frencu: 1862— 
Ge ae TIME 


Height, 29 inches; width, 23 inches 


A BEAUTIFUL example of the work of a French painter, whose 
reputation has become very high in late years, and the remark- 
able technical quality of whose work is highly appreciated by 
his fellow artists. This composition shows three young women 
in a room lighted by a window on the left. Two of them are 
seated at a table, laid with a white cloth, dishes and metal ware, 
while the third is standing at the end of table, about to cut a 
large flat loaf of bread of the kind called pain de ménage. All 
three of the young women are comely and, with costumes in 
which the predominating notes are red and white, there 1s given 
a charming picture as to subject, painted with | a skill that com- 
pels admiration. 

Signed at the lower right. 


By order of Hitt, Lockwoop, Reprretp & Lynpon, Attorneys. 


SCL A NAS aL eV REI RE ae i ya) tone pioneers _ - z é 


Jehan Georges Vibert VO TO 


{55° Frencu: 1840—1902 
| ft. So Fic Aerce sl. 
| 5I—THE BULL-FIGHTER’S STORY 


Panel: Height, 23 inches; length, 281% inches 


A GrouP of three Spanish bull-fighters, seated while chatting 
in a room under the seats of the arena, the entrance to which 
appears at the upper right of the canvas. Stone jugs and a 
bottle are on a bench nearby. The central figure in the group 
wears a dark colored, rich, embroidered costume; the one at the 
right a brilliant dress of pink and gold, and the third, a simpler 
dress of black and fawn color. The light effects are well de- 
picted and the picture possesses a quiet simplicity that gives it 
an interesting general aspect. 

Signed at the lower left. 


Collection of Governor E. D. Morgan. 
Purchased at the sale of the N. Q. Pope Collection, 1896, Catalogue 
No. 61.-$I75- 


From the collection of the late ¥. L. Lorrne. 


CO A eee 


Antonio Casanova y Estorach 


SPANISH: CONTEMPORARY 


52—A READING OF “DON QUIXOTE” 


Height, 1914 inches; length, 26 inches 


A croup of three figures in a comfortably furnished apart- 


ment, showing on the left, seated in an armchair at a table with 
a teacup in one hand and a volume of “Don Quixote” in the 
other, a priest in gown of white and brown; in the middle, a 
corpulent and merry cardinal in red, and on the right a buxom 
young woman with blond hair, who wears a gown of figured 
blue. The cardinal is ostensibly holding a skein of yarn for 
her while she winds it, but he is giving much more attention to 
the humor of the story being read, as shown by his laughing 
features and the snap of his finger and thumb, and he is also 
much occupied in warming his red-slippered feet on a brazier 
which is placed before him. As for the young woman, she en- 
gagingly holds her head on one side while smiling sympa- 
thetically. 

Signed at the lower right, and dated Paris, 1891. 


Purchased from the William Schaus Galleries, New York. 
From the collection of the late F. L. Lortne. 


J. Gallegos 
SPANISH: CONTEMPORARY 
FO0— 


583—A CANAL IN VENICE S ahee 
Panel: Height, 24 wmches; width, 15 inches 


On the left are the facades, with awnings, of palaces and other 
buildings; on the right, near one of the anchored Venetian 
lanterns, are a gondola, with several passengers, being swept 
along by a gondolier in white, and some other boats. ‘The blue 
sky is diversified by small masses of clouds and the whole effect 
is in mid-day sunlight. 

Signed at the lower left. 


Purchased from L. Crist Delmonico, New York. 


From the collection of the late Lron ManveEt. 


Jules Worms 
<2 Frencu: 1832— 


2 54—APTHR THE BULL-FIGHT 


ELA Pe“ Height, 24 inches; length, 29 inches 


WE have here an interesting group of three figures, outside 
the door of a house with plants and vines in the courtyard. ‘The 
central figure of the group is a toreador in silver embroidered 
costume whose glass is being filled by a young woman on the 
left, who wears a pink gown and red shawl with roses, of 
course, in her black hair. On the left is a companion in cos- 
tume of brown who, with one foot in a restful attitude on a 
chair, is playing on his guitar. A pleasing and clever depiction 
of a scene in Spain. 

Signed at the lower right. 


From the collection of the late Lxon Manpet. 


obert Ward Van Boskerck, N.A. 


AMERICAN: 1855— ee 
aie 


_55—INDIAN SUMMER phys: pap Per , fovet— 


Height, 20 inches; length, 80 inches 


A sTREAM, which passes through a piece of light-timbered coun- 
try, fills the middle foreground and reflects an autumn sky with 
light clouds and qualified blue. The trees on the left retain 
some of their brownish-gray foliage in the upper branches, and 
in the middle distance are some notes:of dull green, the whole 
forming an agreeable scheme of color. 


Signed at the lower right. 


By order of Mrs. Haroip THorne, daughter of the late H. S. Wrson. 


Charlies Warren Eaton 
AMERICAN: 1857— 


56-—LINGERING WINTER: MOONLIGHT 
Height, 20 inches; length, 30 inches 7 : 


THE Moon, declining amid gray clouds, sheds its pale lght 
over a landscape composed of wide fields, with patches of snow 
here and there that have not yet melted away. ‘Trees cross the 
composition in the middle distance, and beyond stretches a 
line of hills, seen through the winter haze. | | | 


; Signed at the lower right, and dated 1896. 


From the collection of Mr. John Glass, New York, 1901. Cat thea - 


By order of Mr. Epson Bravtey. 


Julian Rix AA Pn 
) AMERICAN: 1851—1908 | 


| 57—ENGLISH COTTAGES | Meuety FC. 


Height, 18 inches; length, 36 inches 


) A LANpscaPE of clear, fresh general tone including a sky of 
_ gray and white clouds, with a bit of blue. Trees and a pool 
are in the left foreground, a road appears on the right, and on 
the left and in the middle of the picture are cottages with low 
white walls. Their high-pitched, thatched roofs, darkened by 
the weather, make effective notes amid the cool, light tints that 
characterize the other elements. 

Signed at the lower left. 


By order of Mr. Epson Brantey. 


Marie Dieterle 
(Née Van Marcxe pe Lummen) 


FRENCH: 1860— 


58—CATTLE AND LANDSCAPE 
Height, 24 inches; length, 30 inches 


Aor of cows, with vari-colored coats, and a white calf are — 

seen in the foreground of the composition in a pasture border- | 
ing a stream with a sluice-gate. Effectively placed at the right — 
is a clump of trees, the foliage reaching up to the top of the — 
canvas, and in the right middle distance is a stretch of pasture 
with other cattle. The sky presents masses of gray and white 
clouds with some spaces of blue in the upper portion. A pleas- ~ 
ing and representative example. - 
: | _ Signed at the lower left. 


By order of Hitt, Locxwoop, Reprietp & Lypon, Attorneys. 


Frencu: 1819—1916 


 59—LANDSCAPE: SUNSET p Spee Ate 


Height, 18 inches; length, 86 inches 


THE foreground and middle distance of this excellent example 
of Harpignies show a river flowing through the middle of the 
composition and sloping banks on either side. On the right 
are groups of trees, and on the left are other trees, farther 
away and not rising so high against the sky as those on the 
right. The horizon is placed low so that there is a broad ex- 
panse of sky. This shows a unified, luminous ensemble of 
qualified blue, gradating into warmer tints in the lower part, 
where are a few notes of color—slight touches of yellow 
and red. ‘Two or three rather dark gray clouds give proof, 
by the justness of their placing and value, of the truthful 
observation of nature which invariably characterizes the work 
of this celebrated painter 


Kas so at the lower left, and dated ’84. 


From the collection of Mrs. F. C. Crosby, New York, 1897—$ Soo- 


Henri Harpignies VE wee. 


Emerson McMillin Collection, New York, 19138, Catalogue No. 142. - $i. O04 


. By order of Hir1, Locxwoop, Reprietp & Lypon, Attorneys Jeary b. pla 


Do 72 ~ Charles Emile Jacque , 


|  Frencu: 1813—1894 


60—THE RETURN TO THE FOLD 
Height, 32 inches; width, 26 inches 


Tuis is a sterling Jacque of his best period. A flock of sheep, — 
with a lamb or two, is crowding into the doorway of a stable 
at eventide, while a robust shepherdess, crook in hand, stands 
by on watch so that none of her flock may fail to be safely — 
housed. In the foreground, also on watch, is the shepherd dog, — 
and a hen is pecking about in the foreground. __ : 


Signed at the lower left. _| 


Purchased from M. Knoedler & Co., New York. — 
b0Kb 4 From the collection of the late F. L. Lorine. et Say 7962 XX 


Osaughh frre Moo tllar She Ml, ZOMG «B AXxx : 


Paul Jean Charles Clays Ue eis 


| B : 1819—1900 / 

| , ELGIAN shake pags $ 
61VESSELS, SEA AND SHORE: HOLLAND 

| Height, 22 inches; length, 30 inches 


i TuREE large broad-beamed vessels with sails up are seen in the 
|} foreground waters, on the right, while on the left is the 
line of the shore, with numerous windmills. A sky filled with 
white clouds except for some spaces of the blue, at the upper 
left, is reflected in the water together with the bright tints 
of the shipping, shining in the sunlight. 


Signed at the lower right. 


By order of Mr. Envson Brapiey. 


Percival Rosseau 


AMERICAN: CONTEMPORARY 


ms Height, 2344 inches; length, 382 inches 


Two pointers, one white with liver-colored spots, nearest the 
spectator, and the other, white with black marks, a little be- 
hind him, are depicted in the foreground on the edge of a pool. 
The landscape beyond shows marshes, meadows and groups of 
trees with a strip of sky above. ‘The dogs are very competently 
depicted by a painter who has a thorough knowledge of them 
both as an artist and hunter. 


Signed at the lower left, and dated 1905. 


By order of Htiri, Locxwoop, Rreprieitp & Lypon, Attorneys. 


No. 63 


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MLLE. ROSA BONHEUR 


Mile. Rosa Bonheur 
FrencH: 1822—1899 


683—_SHHEP AND LANDSCAPE 


Ko Height, 29 inches; length, 36 inches 


On the left of the picture are two fine sheep, one lying down | 


and the other standing in profile, facing to the right. Their 
pasture-field consists of a wide range extending into the middle 
of the picture where other sheep, guarded by a shepherd, are 
seen grazing, and beyond are distant fields. Over all is a fine 
sky of gray clouds with some notes of white and spaces of blue. 
A large thistle, very carefully painted, looms up in the fore- 
ground on the right. . 


On the back of the canvas there is an inscription by the painter of 


the picture, stating that she is very happy that this picture belongs q 


to Madame Léon Tedesco. 
Signed at the lower left. 
Purchased from Tedesco Fréres, Paris. | 


From the collection of the late Leon ManpveEt. 


. 


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F. J. Du Chattel Lt go) 
Dutcu: 1856— 


64—THE RIVER Tee Cher 


Height, 34 mches; width, 24 inches 


AL STREAM, which gives the title to the picture, completely fills 


the immediate foreground and flows away into the middle dis- 
tance on the left. On the right bank of the river are some tall 
trees. These are in relief against a high sky of luminous quality, 
while both trees and sky are reflected in the water. A punt, 
with a fisherman drawing in a net and a woman in red cloak 
seated in the stern, appears in the middle portion of the picture. 


Signed at the lower left. 


By order of Hiri, Lockwoop, Reprietp & Lypon, Attorneys. 


) Johannes Hendrik Weissenbruch 
Dutcu: 1824—19038 


4700  65—LANDSCAPE IN HOLLAND 


/ Height, 24 inches; length, 31 inches 
JL. Ainotl la rCo. Z % 


From the left foreground, through the flat Dutch meadows, 
runs a stream into the middle of the composition. On the right 
is a glimpse of a narrower stream, and between the two, in the 
foreground, is a space of pasture-land and a windmill with a 
few cows nearby. Other windmills are seen in the distance on 
the left and above the low horizon is a sky of qualified grays. 
A barge in the stream and the windmill in the pasture make 
two effective notes, both in the general arrangement and in ~ 
the scheme of color. 

as Signed at the lower right. 


By order of Hitz, Lockwoop, Reprietp & Lypon, Attorneys. 


CXKED., de sragoen, fae 3 bars ber 195 Che. JE SAK. | 


LZ Ly taucgmink pom 04s, Maruth, See) 1915: buh ts bet ols , | 


WM aS i Pip AM AN oN seb a 


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} Jean Léon Géréome ae cei 
; Frencu: 1824—1904 


66—THE MOSQUE OF BORUSSA (parce A Saag 


Height, 241% inches; length, 39 inches 


THE mosque, with its large dome and a small dome, its mina- 
rets and walls, all blue, stands in the right portion of the com- 
position. It is relieved, in part, against a sky of gray-blue with 
some white clouds, and before it is a tree whose wide-spreading 
branches are covered with full green foliage. The foreground 
is composed of the graveyard, with many headstones, some of 
them much neglected and standing awry, a pathway leading 
through it in the center and passing in front of the mosque. 
On the left, near the road, is a group of three women, seated 
on a rug and smoking their hookahs, while a black eunuch, in 
robe of black, stands nearby on guard. In the distance are 


the sea, the city and the mountains. 
Signed at the lower right. 


From the Henry Hilton Collection, New York, 1900, Catalogue No. 63-8 750 71 


By order of the Executors of the late Istobor WormseEnr. 


a an ee Cee ee ee 


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Francois Adolphe Grison 
 Frencn: 1845— 


67—A COUNTRY FESTIVAL 


Height, 26 inches; length, 32 inches 
ce / Ieee | 


A MERRY party of young folks, with some who are older, is 
here depicted enjoying a day’s outing in a forest. The prin- 
cipal groups consist of two young women and three men, 
in the right center of the composition, and three men 
gathered about a wine cask, on the left. A donkey harnessed 
to a market-cart shows the rustic character of the picnic, and 
through the gateway in the wall which encloses the foreground 
are seen musicians on a platform and many guests dancing. 
The green foliage of the trees overhead and the green grass of 
the foreground form a pleasing setting for the figures. 


Signed at the lower left. 
898 
Purchased from the M. Knoedler & Co. Sale, New York, ES 
No. 870. $ $60 


From the collection of the late F. L. Lorine. 


a. YEO aie, Ls A demimesr Udo Mev 1685 
os th Lek /$90 4 Joo ASXX 


FRENCH: CONTEMPORARY 


68—AN EPISODE OF THE SIEGE OF PARIS SY O-Ffy 
Height, 23 inches; length, 36 inches wv Eze een 


Tuis military composition by a well-known artist depicts one 
of those episodes that were of everyday occurrence during 
the famous siege of Paris in the War of 1870-71. The ground 
is covered with snow and in the foreground a battalion of 
French artillery is swinging into place, directed by its mounted 
officers. On the rising ground which occupies the middle dis- 
tance are ramparts manned by soldiers whose guns are in 
position and whose officers are on the lookout for developments 
beyond. Over all is a gray winter sky. The picture shows 
excellent drawing and is a truthful record of the events of the 


time. 
Signed at the lower right, and dated 1880. 


Purchased from the M. Knoedler & Co. Sale, New York, 1898, Cata- 
logue No. 369. $500 + 


From the collection of the late F. L. Lorine. 


YOLS8 + hed fom ds Ys Janidulelh Jbaecp 87. PAA 


J. A. Walker 
de tal 


William Adolphe Bouguereau 
FRENCH: 1825—1905 


m7 69YOUNG WOMAN ARRANGING HER DRESS 


Height, 371% inches; width, 24 inches 


A THREE-QUARTER-LENGTH life-size standing figure of a young 
girl, in side view with her head turned in three-quarter view 
to the spectator. She is shown in the act of dressing herself — 
and is fastening a skirt of dark blue over her corset. The shoul- 
ders and upper arms are covered by an underwaist of white. 
The young woman is of a pleasing blond type and the drawing, 
both of the head and the hands, shows the usual skill of the 
celebrated French painter. 


Signed at the lower left, and dated 1894. 


By order of Hit, Locxwoop, Reprietp & Lypon, Attorneys. 


bMe Maruch gia 


Mihaly de Munkacsy 


HunGarian: 1846—1900 Ene 


— 


70—ACCEPTING THE CHALLENGE > 
, . : Vw SAT i S.. 


Panel: Height, 3914 inches; width, 29 inches 


A FULL-LENGTH standing figure of a brawny peasant who 
wears a white skirt, white shirt, blue jacket, and a blue apron 
which he has fastened up on his left side. The man is depicted 
rolling up his shirt sleeves while he looks to the spectator’s left 
with a determined and defiant expression. ‘The probability is 
that cause for quarrel has just been given him and he means 
to defend his side of the argument with force—the best solu- 
tion he knows. ‘This figure, in relief against a dark back- 
ground, possesses a fine warm depth of color and shows the 
vigorous handling of the well-known painter. 


Signed at the lower right. 


From the N. Q. Pope Collection, New York, 1896, Catalogue No. 11. $5FO7 
From the collection of the late F. L. Lortne. 


7 oo © 
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Theodor Alexander Weber. 
GERMAN: 1838— | 


4S0- 1—PIER AT OSTEND 


Height, 391% inches; width, 28 inches 


A pier runs from the foreground in a curve out to sea, with a 
lighthouse and signal tower at its extremity. A number of 
fisherwomen are seen on the pier and at the right is a sailing 
vessel beating into harbor, while in the offing are a number of 
others. Over all is a sky filled with gray and warm-tinted ite 
clouds with spaces of blue. 

Signed at the ide ee 


By order of Mrs. Haroip THorneE, daughter of the late H. S. Wixson. 


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_72—SERENADE IN ROME 


James Bertrand 
Frencn: 1825— 


oF Mame 
Lt Medel: tafe, 


Height, 24 inches; length, 46 inches 


THE scene is laid in a narrow street in Rome, with the wall of 
a house on the right where, standing by a green-shuttered win- 


dow which is partly opened, is a young man playing a man- 


dolin, while at the right of the picture are several companions, 
who accompany him with guitars and other instruments. A 
traveler who has lain down to rest, with his dog at his feet, 
in the roadway, seems not to be disturbed in the least by the 
events about him. The effect is in moonlight, which illumines 
the white wall of the house at the left, while the right of the 
picture is in shadow. 

Signed at the lower right, and dated 1868. 


From the James H. Stebbins Collection, New York, Catalogue No. 30,-/026 
By order of Mrs. Haroip TuHorne, daughter of the late H. S. Wirson. 


Luis Jiminez 
SPANISH: 1845— 


Bi 
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} FIO- 73 THE CHRISTENING FESTIVITIES 


“ Ss ae Height, 2914 inches; length, 44 wmches . . 
ee of friends and relatives are here seen assembled 

in a finely decorated apartment on the occasion of the chris- 

tening of a baby, who is held in the arms of a nurse with red 

bodice and cap, standing near a great fireplace at the left of 

the picture. A servant in the middle portion is carrying in a 

large tray with glasses of wine, and at the right, on a circular 

seat, are a priest, a soldier, and several ladies. Some other 

men and women, and several children, complete the party. 

| This elaborate subject, with its different groups, and costumes 
i" of varied colorings, is well handled and displays-cleverness both 
| | of composition and execution. | 


Signed at the lower left. 


Purchased from, M. Knoedler & Co. Sale, New York, 1893, dtl 
No. 388. $/250-7 
PYG / 4 From the collection of the late F. L. Lorine. 


Baiighth fined bmarven Caria Mnaathy 148 Jy Fos AOXXX — 


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SPANISH: CONTEMPORARY 


oe eee 
_ 4—Ad SPANISH WEDDING es ee aa 


= Height, 26 inches; length, 45 inches 


__ A composition of some fifteen or more figures in a party 
-grouped together for a marriage ceremony. ‘The center of 
interest is found in a young woman clad in white, and a young 
man in black gala costume, holding hands before a priest in a 
gold-embroidered robe, who is pronouncing the words of the 
ceremony. Some ladies and several men are among those 
_ standing nearby, and there is also a choir-boy in red and white. 
Among the accessories are the wrought steel screen, red hang- 
ings, lamps and candles. 


Signed at the lower right, and dated Roma ’92. 


From the collection of the late LEon MAnveEt. 


Alfred Wierusy Kowalski 
PoutsuH: 1849— 


75—SLEIGHING IN RUSSIA 


Ey) Kf: ee ee Height, 29 inches; length, 47 inches 


A party of men are traveling over a snow-covered country 
in Russia in the early evening, as indicated by the rising moon 
which is seen in the upper left of the canvas. The whole fore- 
part of the picture is occupied by one of the sleighs, containing 
three travelers, with a four-horse team, driven by a coachman 
who is standing up. Other sleighs are disappearing beyond 
over a hill and into the distance. The horses, the sleighs, and 
the costumes of the passengers and coachman are all in quiet 
colors which harmonize well with the sober tone of the snow. 
The evening sky shows dull tints of gray with some notes of 
rosy light. 

Signed at the lower left. 
Purchased from the late T. J. Blakeslee. 


From the-collection of the late Leon Manpet. 


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FRENCH: CONTEMPORARY 


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76—THE THREE BROTHERS De ee : 
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Height, 38 inches; length, 401% mye : 


THIs composition presents the figures of three men, one seated 
at the dining table, who seems to be a man of business or a 
capitalist; another, on the left, who is a soldier with black tunic 
and red trousers; and the third, who is a priest with a costume 
of violet and red. It seems to depict a reunion of three brothers 
whose occupations are all very different and who, when united 
in a little family party, seem to express very different opinions 
about whatever subject they may have been discussing. The 
scene is placed in a well-furnished room and details of every 
description are carefully yet broadly rendered. 


Signed at the lower right. 


From the collection of the late Lron MANDEL. 


| 

| Johannes Scherrewitz 
I} Dutcu: 1868— 

I! = 3 

1] f 

FAO - a MILKING TIME 


i Praag bod Wop Height, 2734 inches; length, 39°24 inches 


A LANDSCAPE of meadows and trees, painted in virile tints of 
green, forms the setting for a group of two cows, one lying 


| : down and the other, standing near a fence which erosses the 
| pasture, being milked by a peasant wearing a blue jacket. 
| Beyond the fence are two huge boulders, and in the more distant 
|. fields, on the left, is another cow. Above is a ae of gray with 
iN a space or two of blue. 

i Signed at the lower left. 
| By order of Hitt, Lockwoop, REep¥Fietp & Lypon, Attorneys. 


No. 78 
HOLLAND LANDSCAPE 
BY 


THEOPHILE DE BOCK 


Za, Jeo 


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y ie Height, 29 inches; length, 43 inches 


Theophile de Bock 
Dutcu: 1850—1904 


| | fv 5 
783—HOLLAND LANDSCAPE | Ni = | 


Tuts very effective composition shows a bare hillside on the 

left, a group of trees in the middle portion of the picture, and 
a stream, with patches of reeds, filling the foreground. At the 
left, among the reeds, is a blue punt with the figure of a woman 


in buff-colored cloak and white cap. In the distance, on the 4 | 
right, to which the river extends, as shown by a strip of the 


water, is a line of hills. Over all is a sky with large masses of 
gray and white clouds and a space of tempered blue. Crows — 
are flying about the foliage of the group of trees. ‘The en- — 


semble, formed by the general arrangement and the color — 


scheme of varied greens, grays and the blue of the sky, is 
exceedingly striking. : 
Signed at the lower left. 


By order of Hiri, Lockwoop, Reprietp & Lypon, Attorneys. 


11/08 - bois ff. he “A Che Megucd fire Ld. EXXK 
Sold, ee dif 5706 - PSXKK 


No. 79 


BY 


BERNARD DE HOOG 


Bernard de Hoog 
Dutcu: 1866— 


79 MOTHER AND CHILD 
Wi Te ot Height, 40 inches; width, 32 inches 


A THREE-QUARTER-LENGTH figure of a young woman seated in 
an armchair, nourishing her babe as she holds it in her lap. 
The clothing of both mother and child shows quiet tints of — 
blue, white, gray and brown, the group being pices by light | 
coming through a window on the left. Z 


Signed at the lower left. ‘4 


By order of Hitt, Lockwoop, Reprieup & Lypon, Attorneys. 


a _—— —o— ee SS eee - — —— : = —— ———t —— = we = — —— — 


ee FF er iS ea eae ae 


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No. 80 


PORTRAIT OF A LADY 


BY 


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Michiel Jansz Van Mierevelt. 
Durcu: 1567—1641 , 


80—PORTRAIT OF A LADY 
S054 Panel: Height, 444 wmches; width, 33 Haas 


Vee THREE-QUARTER-LENGTH standing portrait a a young 

woman with face turned slightly to the left. ‘The costume con- — 
sists of headdress and ruff, and gown of black brocade with — 
stomacher and girdle of coppery gold. The left hand rests 
easily against the skirt of the gown, while the right hand, rest- ~ 
ing on the arm of a red chair, holds a jeweled bag. In the right — 
upper corner of the canvas a coat-of-arms is painted on the 
background. | 


Purchased from M. Isaac Montaignac, Paris. 


By order of Mrs. FuorENcE Macy Surron. 


a Benjamin William Leader, R.A. 
BritisH: 18381— 


) 8i—AT THE EDGE OF THE WOODS 
i 150 Height, 30 inches; length, 49 inches AL Capt tee oF 


THE middle portion of the composition is occupied by a group 
of trees, and in the immediate foreground is a pool, with banks 
covered by withered grass and herbage. Beyond appears a 
line of hills. The trees are effectively arranged in their sil- 
houette against the sky, and the picture is in general well 
balanced, the sky showing an effect of evening, being painted 
in luminous warm tints with some clouds in the right upper 
portion. An important example of a well-known English land- 
scape painter. 

Signed at the lower left, and dated 1892. 


Purchased from Arthur Tooth & Sons. 


From the collection of the late LEon ManveEt. 


Leon Perrault 
-Frencu: 1832— 


82 THE UNWILLING GUEST 3 
jeg 


J. 00: Te Height, 433/44, ae width, 36 uncles = 


A Group of three children sitting under a renee one of whom, — 
a little boy, has his arm around the neck of a black dog, who ~ 
does not seem to want to take the spoonful of milk which — 
another of the children, a little girl, is offering him. A pleas- q 
ing example of genre painting by a skilful French artist. 1 


Signed at the lower right. 


By order of Mrs. Harorp Tuorne, daughter of the late H. S. Witsoy. 


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GerMAN: 1828—1899 


| 
| 88—THE STAMPEDE 
| A/. 00 7 | Height, 431% inches; length, 67 inches Th e : 


A NUMBER of horses, six or seven being most prominent in the ~ 
crowd depicted in this composition, are fleeing in terror from 
a farmhouse fire, the smoke of which is shown on the left of 
the picture, and attempting to escape through a barrier. In 
the middle portion two white horses form the central point 
of interest, although there is fine movement and action in the 
others, notably in one who is climbing over a brother horse 
that has tripped and fallen to the ground. The landscape set- 
ting, consisting of a simple plain and the sky which shows even- 
ing clouds, is cast in dark tones, so that the horses themselves 
receive concentrated light, thus producing an effect which 
umpresses at first glance. 
é Signed at the lower right. 


Purchased from Julius Oehme, New York. 
7 Nhind ’ 

From the George Crocker and Emerson McMillin Collections. JW3-f$N 70 

By order of H1tiyi, Lockwoop, Reprietp & Lypoy, Attorneys. / 


bhelwabo kale 473-4 M7- Ibo Cpe 


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No. 84 


THE WINDOW OF SELIM-SHISTI’S 
MONUMENT 


BY 


VASILI VERESTCHAGIN 


i Vasili Verestchagin 
it Russian: 1842—1904 


i| 84—THE WINDOW OF SELIM-SHISTI'S MONU- — 
il MENT = 


“a 100 ¢ Height, 105 inches; width, 83 inches a | 


SomE of the best of Verestchagin’s pictures are found among 

his large, but not the very largest, canvases, and “The Window 
of Selim-Shisti’s Monument” is one of them. The great Mogul 

Akbar, the most powerful Indian chief, erected this monument 
over the remains of his friend and counsellor, Selim-Shisti, a 
man who led a most holy life, and whose memory is still held 
in reverence by all the Mohammedans of India. Pilgrims — 
come to the monument and converse there with descendants of 
the saint, who perform religious offices though without being | 
themselves in the class known as “Holy Men.” It is such 

a scene as this that Verestchagin chose for the subject of his 

picture. The figures, all men clad in white and with white tur-. 

bans, are seated, chatting and gesticulating, on a marble bench 

which forms the base of the temple wall. Four of the men 

are in a-group at the right of the picture and two others on 

the left. Behind and above the larger group.is a wonderful 

“window” (in the Oriental sense of the word) filled with white 
marble tracery, carved through so that light filters inside 
through the interstices, and a smaller window of the same de- 

sign is behind the group of two. The walls rise high above ~ 
the figures and all the upper part of the picture is in shadow, 

not deep shadow for the glare of sunshine reflects into it. Be- 

low, where the figures are, the sun gleams. It is an extraor- 

dinary transcription of the Orient and the painting of the 

marble carving is a most remarkable technical achievement. 


From the Vasili Verestchagin Sale, New York, 1891. No cattle 


By order of Mrs. FuorenceE Macy Surron, 


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“SECOND AND LAST EVENING’S SALE 


pa ae 


WEDNESDAY, JANUARY 17, 1917 


IN THE GRAND BALLROOM OF 
THE PLAZA 


Ee Firrn Avenvr, 58TH To 597TH STREET 


_—— BEGINNING PROMPTLY AT 8.15 O'CLOCK 


al 


Theophile de Bock 
Durcu: 1850—1904 ioe icmae 


85—LANDSCAPE Doe ow ot oe 


Height, 10 inches; length, 1914 thes 


A stTrEAM in the foreground, green meadows, trees and a hil- 
lock, in the middle distance, are the elements of this attractive 
landscape. ‘The water, which fills the foreground, reflects in 
much lower value a gray sky, seen in the upper portion of 


the picture. 
Signed at the lower right. 


By order of Hirt, Locxwoop, Reprietp & Lypon, Attorneys. 


Dwight William Tryon, N.A. 
AMERICAN: 1849— 


86—_MOONRISE 


Water Color: Height, 1014 inches; length, 1414 inches 
at 


FIELps, intersected by stone fences on rising ground, culmi- 
nating in a hilltop in the upper part of the picture, exhibit an 
expanse of sombre, low-toned color. On the crown of the hil! 
are a farmhouse, haystack and low, long barns in relief against 
an evening sky of gray and blue. The moon, rising just above 
the roofs, gives a gentle, mysterious illumination and a few stars 
twinkle in the space about it. 


Signed at the lower left. 


From the A. G. Black Collection, New York, 1894.- KIL. he didae @ . 
Ah awk Sra 


By order of Mr. Evson Branviey. 


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Alexander H. Wyant, N.A. 
AMERICAN: 1836—1892 


ape ak a | 
J eeng IS TT bs 


87—A MEADOW STREAM 
Height, 10 inches; length, 14 wmches 


A. STREAM straggles through a foreground of herbage and 
sparse grass. On the right is a fine oak, and other trees are seen 
on either side of it. A white-walled building, near the middle 
of the picture, forms a note of value in the ensemble of quiet 
tints, including the gray of the sky, and free handling char- 
acterizes the technical aspect of the picture. 


Signed at the lower right center. 


From the A. H. Wyant Sale, New York, 1894. #99... b'S50- 


By order of Mr. Epson Braptiey. 


| 4 SCO 388 PEACEFUL DAYS 


ee 


| : Giovanni Boldini 
j | Traian: 1844— 


etd V Med GG. Height, 14 inches; width, 11 inches 


A patn'ry little blond-haired lady, with a pretty robe of gray- 
green and a red silk shawl about her shoulders, sits crocheting 
on a Louis Seize sofa. A boy, presumably her son, with curl- 
ing, long dark hair and dressed in a suit of dark green, has 
found a place on a tumbled rug near her side and is examining 
the handle of a rapier. Back of him is a violoncello, on the 


skill. 
Signed at the lower left, and dated °75. 
From the A. Foinard Collection, Paris. Sto calibegue, 


Purchased from the Henry M. Johnston Collection, New York, 1893. he 
By order of Mr. Epson Branvtey. : 


Vm 


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Narcisse Virgile Diaz de la Pena VG 


Frencu: 1808—1876 
VA ie ne = 
99—TOILET OF VENUS RV ny 3, er agit 
Panel: Height, 131% inches; width, 914 inches G 


ZA GrouP of three figures, showing Venus in the person of a 
young woman with blond hair, seated, the upper part of the 
figure nude and the lower part draped with dark blue and 
white. In her right hand she holds before her a small mirror; 
on either side of her is a Cupid, one with dark hair, and the 
other with light, both seemingly attempting to get a glimpse of 
the vision of her beauty in the looking-glass. 


Signed at the lower left. 
Henry T. Cox Sale, New York, 1902, Catalogue No. 42. BIKE — 


From the collection of the late F. L. Lorine. 


By Oy, Narcisse Virgile Diaz de la Pena 
vv 


Frencu: 1807—1876 


90—W HISPERINGS OF LOVE 


— 


A AM O— Panel: Height, 16 inches; width, 114% mches 


Soars Powlesl 


| A FULL-LENGTH figure of blond-haired young woman in dra- 

: pery of white and of pink, with an Amour on a rock beside her 
whispering in her ear, while two others, on the left, are looking 

| over a bit of hedge. ‘The landscape setting shows, besides a rock — 

or two, a tree in the background and a brilliant bit of Ae, on 

the uppen left of the canvas. 


Signed at the lower ‘eft. and dated 55. 


: / Arnold & Tripp, Paris. a v . \ U4 lo> 


Durand-Ruel, New York. 


The H. S. Henry Collection, New York, 1907, Catalogue No. 17. $5$00- 
Seat +Iawlee be q 


Messrs. Scott & Fowles Company, New York. 


By order of Hiri, Locxwoop, Reprietp & Lypon, Attorneys. 


OAKS Ai toregn madre BM barf, (hee BOSXX.- Z 


Narcisse Virgile Diaz de la Pena 


FRENCH: maa tay, be 
91VENUS AND AMOUR pO f : Me fm eGX: 
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eight, 1334 inches; width, 91% inches 2 
Bay) 


A FULL-LENGTH figure of a young woman—the upper portion 
of the figure nude, and draped below with white and dark blue. 
At her feet, on the right, is the seated figure of a Cupid hold- 
ing an apple. Venus is depicted with one hand resting on a 
bank where are some fruits, and the other holding a large 
bunch of grapes. 

Signed at the lower left. 


Purchased from Juliws Oehme, New York. 


From the collection of the late ¥. L. Lorrne. 


Charles Emile Jacque ce -— 
Frencu: 1813—1894 


2—_SHEEP AT THE BROOKSIDE " ~ 


SS Height, 91/2 inches; length, a inches wh 


A FLOCK of sheep has entered a shallow stream! m the left he 4 
ground, while on the bank at the right, at the foot of a fine 
oak, the shepherdess, with brown jacket, blue apron, and white _ 
cap, is resting while her charges drink. On the left, above a 
bit of distant country, is a sky of gray and white clouds with | 
some blue 1 in ue Epes portion. 4 
Signed at the lower ie 4 
By bey of Hitt, Locxwoop, RepFrietp & Lypon, Attorneys. | 


Frencu: 1814—1875 


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| Jean Francois Millet A 


Ah ne NY ee 


983—THEH RESCUE 
Height, 7 mches; length, 13 inches 


A poe has fallen into the stream, and a little boy, its owner, 
clad in blue breeches and a white shirt, with his right arm firmly 
wrapped around the trunk of a tree, has reached down with 
his left and is drawing his little pet out of the water. The 
landscape setting being low in tone, and the light being con- 
centrated on the figure of the boy, produce a brilliant effect. 


es fou , Med cit , Signed at the lower left. 


Purchased from Messrs. Scott & Fowles Company, New York. 


By order of Hiri, Lockxwoop, Reprietp & Lypvon, Attorneys. 


BNLUM.RM 
LL i Yleoo. heguwim Sage Aavedon old. bait ‘ole bo Mee vb. 


XKES De tattequmauh feawe LI hiwutl, har ops Caer, LU sxx , Ultima fer bys. 


Ze W002 


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Jean Baptiste Camille Corot | 
Frencu: 1796—1875 


94 LANDSCAPE | 4 


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Height, 151% inches; length, 20 inches 


A BEAUTIFULLY composed picture, showing a meadow in the 
foreground, in which are a woman and a cow; a group of fine - 
trees, on the left, reaching to the top of the canvas; a distant 
hill, crowned by a building, and a little stretch of water. Still 
farther away, on the right, is a line of hills dimly seen. A fine 
sky, with characteristic Corot tints of qualified whites and 
blues, fills the right upper portion of the picture and is seen 
through some of the branches of the trees as well as on the | 
left at the top. The arrangement is reposeful, the color quality | 

asp sh is distinguished, and the Seas effect is serene. 


Signed at the lower left. 


By order of Hitt, Lockxwoop, RepFietp & Lypon, Attorneys. 


Emile Van Marcke 
Frencu: 1827—1910 oe 
00 


95—_COW AND GARDENER s 


Height, 13 inches; width, 10 inches 


AL DUN-COLORED cow in back view to the spectator is here de- 
picted cropping green leaves from a branch of a tree, on the 
right, and a man, with blue blouse and straw hat, is clipping 
a hedge nearby, on the left. Foliage and sky fill the rest of the 


canvas. 
Signed at the lower left. 


Purchased from M. Knoedler & Co., New York. 


From the collection of the late F. L. Lorine. 


+S — 
a Alexandre Gabriel Decamps M4 vy 
Frexcu: 18083—1860 Re ‘7 


* 
96—_LES CONTREBANDIERS Be 77 


ee GUE LG Height, 21 inches; width, 18 inches — 
A croup of three figures in a simple interior with a picture. 
of the Virgin and Child, with an oil light underneath it, and- 
a gun and canteen also hanging on the wall. A table, a bench, _ 
and a stool comprise the furnishings. Seated on the bench, 
at the left, is an Italian peasant, with pointed hat and white 
shirt; in the middle of the picture, with back to the spectator, 
is a black-haired man with red riding breeches, wearing boots, 
and a white shirt; while on the right, leaning on the table, is 
a child. The interior is lighted by the reflection from a shaft 
of sunlight which strikes the wall just above the child’s head. 


Signed at the lower center. 


From the Count Duchatel and Fop-Smit Collections. 
Durand-Ruel, New York. a 
The H. S. Henry Sale, New York, 1907, Catalogue No. 11. 7100-& 
Messrs. Scott & Fowles Company, New York. 


By order of Hii1, Lockwoop, Reprietp & Lypon, Attorneys. 


resist emeercimente raat 


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—O—THE LAKE 


Jean Baptiste Camille Corot 
Frencu: 1796—1875 


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Height, 11 inches; length, 16 inches 


A LAKE, with a long canoe carrying several people, appears in 
the middle foreground while on the left is a headland with thin- 
foliaged trees; on the right, occupying about half of the can- 
vas, is a shore with high shelving rocks, trees and herbage. 
In the middle distance appear somewhat dimly the farther 
shores and above is an evening sky with a beautiful Corot 
gray and blue, mingled, gradating down to warm tints at the 


horizon. - 
Signed at the lower right. 


From the collection of the late F. L. Lorin 


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Anton Mauve 
Dutcu: 18388—1888 


4/0 Be. cr ee WA 
z= y en Vliet lig. Height, 1314 inches; length, 20 inches 


A picture of a peasant ploughing a flat field with an old- — 
fashioned plough drawn by a black horse. ‘The landscape — 
presents level ground, stretching away to a low horizon, above — 
which is a sky of gray and white clouds. 


Signed at the lower right. . 
Purchased from Messrs. Scott & Fowles Company, New York. N 0 He 


By order of Hix, Locxwoop, Reprietp & Lypon, Attorneys. 


No. 99 


ON THE DUNES 


BY 


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Johannes Bernardus Blommers 
DutcH: 1845— 


te Height, 14 inches; length, 221% inches y 

A Cart drawn by a white horse is moving slowly across a sandy 
beach, accompanied by a man in blue blouse who is driving, 
and by a girl in red jacket and white cap who is giving a little 


push at the back. On top of the cart is a child, with the hand — . 
of the driver, who is walking close beside, gently placed on its — 


knee. On the left beyond the group is a view of the sea, — 
and on the right, in the distance, are some buildings along — 


shore, including a church with white walls. 


Signed at the lower right. 


By order of Hii, Lockwoop, Reprietp & Lypon, Attorneys. 


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DutcH: 1888—1888 


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100-SHEPHERDESS AND FLOCK (wes UO Lhevhew 


Water Color: Height, 16 inches; length, 20 inches 


ADVANCING toward the spectator through a sandy roadway in 
the Holland Dunes isa small flock of sheep and lambs. Walk- 
ing along among them is a woman in the black dress of a 
peasant or farmer’s wife, with blue apron, holding up in her 
arms a lamb. The sheep dog accompanies the flock and in 
_ the distance, where the ground rises, is a group of trees. A 
gray sky completes the picture. 


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Signed at the lower right. 


By order of Hii, Locxwoop, Reprieitp & Lypvon, Attorneys. 


Joseph Israels 
Durcu: 1824—1911 


101I—THE LITTLE HOUSEKEEPERS 


Y, 0 CLO Height, 1814 inches; length, 234 inches 


lt. W. Dtaneae ee | : 
Two children, a boy and a little girl, are seated in a cottage 


interior, the boy on a chair peeling potatoes, while the little girl — 
on a stool beside him holds a dish on her lap. On the left, under — 
a window from which the light, enters the room, is a round — 
table with some utensils and vegetables on it. The lighting is © 
so arranged as to ilumine the figures of the children while © 
their environment is subdued. | 
Signed at the lower right. — 


By order of Hitt, Lockwoop, Reprietp & Lypon, Attorneys. 


/10¢9 Saughk Mw Medrtheauh » bo dander forme SIPC - LA OK 
old - bewry Uwh arth, Lf 24/1906. BPIK- | 
ULI. Fin deacgnmnanh k free tb Ia Marccek bbe J 1SKx - Aharnet. I | 


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SUMMER TIME 


BY 


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Emile Van Marcke 
Frencu: 1827—1890 | Bot 


102—SUMMER TIME S$ ¢¥ Se 7 


Height, 15 inches; length, 22 nic 


A croup 6f one cows, one with a dusky red coat and white 
face rubbing her neck against a fence post, while the other, — 
dark colored with a white spot on the forehead, standing 
nearby, is licking her shoulder. The landscape setting exhibits 
a level plain and a sky of gray clouds with a few spaces of blue. 


Signed .at the lower right. . | 


Purchased from Messrs. Scott & Fowles Company, New York. No 673 


By order of Hix1, Locxwoop, Reprietp & Lypon, Attorneys. 


No. 103 


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Ott £7 gl. 


Jean Baptiste Camille Corot 
Frencu: 1796—1875 


1083—NHAR VILLE DAVRAY 


Tue river runs through this most charming Corot landscape — 
from the right foreground into the left middle distance, with — 
its farther shore crossing the canvas. The bank on the left — 
rises high, with willows growing there that reach to the top — 
of the composition, and inshore are a punt and a figure. The ~ 
sky, of beautiful qualified tints, shows some light clouds tinged — 
with white, and as it approaches the horizon becomes slightly — 
warmer but merely enough to indicate that the sun has set ~ 
and the tender shades of twilight are beginning to announce — 
the night. | 

aC at nue lotaer left. 


From Messrs. Goupil & Co., Paris. Ate \¥ Wy 


Purchased from the Henry M. Johnston Collection, New York, 18938-F% 


; 3 Naw VY 0 
By order of Mr. Evson Branpiey. biyy, Ve \% | 


No. 104 


LES LINGES 


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Frencu: 1819—1878 


: 104—LES LINGES S e 
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y, ae [derictl, Ole Height, 18 inches; length, 23 inches 


A SMALL river runs through this landscape from right to left. 
On the grass in the foreground a washing has been spread out 
to dry, while on the other side of the stream are seen a cottage 
with white walls and a red roof, and a belt of trees. Beyond, 
on the left, is a glimpse of country with trees and low-lying 
hills, and over all is a summer sky composed of warm-tinted 
white and gray clouds with a space or two of blue. _ 


Signed at the lower left, and dated 1872. 


O woe 
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From Julius Oehme, New York, 1911. dotan @ebs 


From the collection of the late F. L. Lorine. 


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No. 105 


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wv Jules Dupré 
Frencu: 1812—1889 


105—COTTAGE AT LISLE ADAM 


igo FO 
ase cenfral one of interest in this impressive landscape is 
a fine tree, placed near the center of the composition; nearby, - 
at the left, are some other trees and a thatch-roofed cottage, — 
while a winding road leads from the right foreground into the 
middle distance. A peasant woman is seen walking along and — 
a note or two of red is given, in the generally somber effect of — 
the picture, by some cows near the cottage. Beyond is a sky — 
of gray clouds, admirably composed, with a space of temperediy 
blue in the upper portion. 


peo 1814 inches; length, 221), inches 


Se 


Signed at the lower right 4 


By order of Mrs. Haroip Tuorne, dgughter of the late H. S. Witson. — 


No. 106 


AT REST 


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\ Frencu: 1810—1865 


G00 — 106—CATTLE AT REST 


Dts (dernel, AX Height, 181% inches; length, 221% inches 


A croup of two-cows and a calf, all close together, and a farm 
dog close beside them. ‘The cow most prominent in the group 
has a coat of white with reddish spots and is lying down; the 
other cow, a black one, standing beyond her, reaches her head | 
forward so that her muzzle touches the shoulder of the spotted — 
cow; the calf, dun color with a white spot, is close in between 
them. The setting for the group is a level pasture-field and 
overhead is a sky with clouds of qualified gray and a little” 
space of tempered blue in the upper left portion. — 4 


Signed at the lower lel and stamped iis at the lower left 
“Vente. Troyon. 


From the Thomas E. Waggaman Sale, New fore January, 1905, | 
Catalogue No. 51. -$I700 + E Ive Yuillin 


By order of Hitt, Lockwoop, Reprieitp & Lypon, Attorneys. 


Lure Sue Dublin Sate: 913-q P63 iO00- Abeay b G 


ppm 


Narcisse Virgile Diaz de la Pena 3277 _— 
Frencu: 1808—1876 LEE ay wa: 2% re 
107—IN THE FOREST OF FONTAINEBLEAU ¢ 


Panel: Height, 28 inches; width, 18 inches 


THE composition presents a little clearing in the recesses of 
the Forest of Fontainebleau, with a pool in the foreground and 
a pathway leading into the center of the picture. Trees ap- 
pear on either side, their foliage and a bit of blue sky occupying 
the upper part of the canvas. Seated at the foot of one of the 
trees is a figure in gray jacket and red skirt. 

Signed at the lower left, and dated ’72. 


~ 


Purchased from Julius Oehme, New York, 1911. / Mn 2 t AS 
From the collection of the late F. L. Lorre. (]-v er) | iw 


Ww te \ : 


yee 


Jean Baptiste Camille Corot 
~ Frencu: 1796—1875 
Le 


108—LES BOU@AUX DANS LE MARECAGE 


PH, (leg aA Height, 151% inches; length, 22 inches = 
A BEAUTIFUL example in harmonies of cool greens and grays — 
in the landscape itself, with qualified grays, whites, and blue 
in the sky. In the foreground are some thin-foliaged trees, — 
on the left, reaching up toward the top of the canvas; on the ~ 
right, in the middle distance, the roof and chimneys of a house — 
and a group of trees. In the distance may be seen a line of — 
hills. The sky is not only luminous but very beautiful in its — 
color scheme of tempered tints. 3 

Signed at the lower left. — 


Purchased from M. Knoedler & Co., New York. 


By order of Hiri, Lockwoop, Reprietp & Lypon, Attorneys. 


Uluhar Uolguh ae bolbtEn, thin ; 


; Md. 


“280K 4 Ou erwcgumunk Cun toy. BL 19 04 4 
Sold -ho Lp. LEU (See 1961 -« SAMKXX ~ q 
(OXSS' Unliinud LIK Nall, earef, 190K « Velen cn atch oa 
Sid 6. 19 0b 1 BASKXX = | | 
ASL IC Ow conecgumh fame Mt Baweth, Chie fAsnxx Mh 


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ASLG ~ Qwemugurnch Meath. 916 Mbiitwed. Sae/ 1916 


No. 109 


LE MARAIS DANS LES LANDES 
BY 
THEODORE ROUSSEAU 


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Picrre Etienne Théodore Rousseau 
FrencuH: 1812—1867 


109—LE MARAIS DANS LES LANDES 
Panel: Height, 16% inches; length, 2224 inches 


Tuis “Swamp in the Moors” is a justly celebrated Rousseau. 
It was formerly in the Paris collection of M. Laurent-Richard — 
and has been praised by critics in this country when it has been 
publicly exhibited, as it was at New York, in 1898, when it © 
belonged to the late William H. Fuller. It shows a brilliant — 
phase of the great landscape painter’s art and, as such, possesses — 
much individual charm. ‘The composition shows a stretch of — 
moors and fens, with a low horizon and distant glimpse of the — 
sea, where several white specks denote sailing vessels riding in — 
a gleam of sunlight. A bog is depicted in the central fore- 
ground, the marshy waters extending, between banks of ir- ~ 
regular shape, into the middle distance. The entire landscape ~ 
is painted in fine, restrained, warm tints, accented by tempered — 
whites. Overhead, a very beautiful sky of tender, pearly — 
grays, is broken, in its central portion, by cloud masses of ex- 
quisitely qualified white. 

Signed at the lower left. 


From the age H. Fuller Collection, New York, 1898, Catalogue — 
No. 24. £7600 4 | 


By order of the Executors of the late Istpor Woueee! 
Oblltlirn feet ek Uatig~” 
‘ Nauwnk Mhchiaed 1873+ k54, Goe90,000 


Sg eng 
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No. 110 
ON THE RIVER OISE 
BY 


CHARLES FRANCOIS DAUBIGNY 


Ph nother rb _ Panel: Height, 1424 inches; length, 2614 inches 


Charles Francois Daubigny 
Frencu: 1817—1878 


110—ON THE RIVER OISE a ‘a 


THE river occupies the foreground of this effective composition, 
with sloping banks on the right, where women are seen washi g 
clothes and ducks swim about nearby. On the crown of the 
slope are some comfortable-looking cottages. The opposite € 
shore, occupying the middle part of the canvas, is lined with 
forest and overhead, with gleams of rosy light at the horizon, 
is a sky of broken, warm gray clouds. a 


Signedee at the lower right, and dated 1871. 


From the Charles A. Dana Collection, New York, 1898, Catalogue 
No. 589. £6500 


By order of the Executors of the late Teron WoORMSER. 


ET, Tw 


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Narcisse Virgile Diaz de la Pena — 
Frencu: 1807—1876 a 


| <, G 20— i11—A POOL IN THE WOODS he 


Wp Ainottle, rl. Panel: Height, 234% inches; width, 19 inches 


In a forest clearing in the foreground is a little pool shaded by 
trees in autumn foliage, which fill the picture to the top of the — 
canvas except for a space of blue sky which appears in the 
upper portion. Quiet sunlight illumines the foliage in the 
central part of the picture, these masses being in contrast with | 
those in the foreground which are dark in the shadows. 


Signed at the lower left, and dated "72. 


By order of Mrs. Haroup Tuorne, daughter of the late H. S. WItson. : 


oyp.odberd Mo wna 


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teen teneinehemaind i TIT rm mre OLE — OO A CI 
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No. 112 


SUNSET 


BY 


J. B. C. COROT 


ve 


Jean Baptiste Camille Corot 
; Frencu: 1796—1875 : 


VY $00- 112—-SUNSET 
FEZ, Tifin = Height, 2234 inches; width, 164% inches 


AN idyllic composition with a little stream in the foreground ~ 
of a glade, trees, reaching to the top of the canvas, on a slope ~ 
at the right, and the trunks of two birches at the left, about 
the larger of which a shepherdess and a faun are turning and 
peeping at each other. Beyond is a valley vista and, above, — 
an evening sky, which is gradated from qualified warmish tints — 
at the horizon upward into the pale gray blues, with here and 
there a little cloud flecked with the light of a setting sun. 


Signed at the lower left. 


From the William H. Stewart Collection, New York, 1898, Catalogue Bb, 
No. 98. | |  t 


By order of the Executors of the late Istoor WormseEr. 


Oy Le See eee eee — a ie | ae 


No. 118 


A SUMMER DAY 


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EMILE VAN MARCKE 


eS OO LS Oa a Ne ke A 


Emile Van Marcke 
Frencu: 1827—1890 


1183—A SUMMER DAY 


yp oe | Height, 171% inches; length, 27 inches 


A FINE black cow, flecked with a white spot or two, and a — 
white yearling calf, are standing in a pasture pool in the fore- ~ 
ground of the picture. Another cow is seen leaving the water- — 
ing place. A clump of trees, on the left, level plains beyond, — 
and a sky of white and gray with, here and there, a bit of blue ‘ 
form an appropriate landscape setting. “a 


Signed: at the lower left q 


From the collection of Henry M. Johnston, New York, 1898. “Bouaie j 
by Mr. Johnston from the artist. 46+ F700 


By order of Mr. Epson Braptey. 


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| No. 114 
LANDSCAPE AND CATTLE 
| | BY 
CONSTANT TROYON 


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S Constant Troyon 
Frencu: 1810—1865 


| Gass Ne 114—LANDSCAPE AND Cee 
Panel: Height, 1942 inches; length, 28 inches 
a Berets lands, spreading over a rolling country, fill the for 


ground and a stream runs through them into the middle dis- 
tance. Beyond are more sloping, hillside pastures and cattle 
grazing. In the immediate foreground a dark red cow, lying 
down, and another, white with fawn-colored neck and shoul- 
der, make a group that forms the center of the composition, and. 
back of them, descending to the waterside, is a roan horse. 
. Overhead is a fine sky of gray and white clouds, with spaces 
of blue in the upper part. Both as a landscape and as a piece 
of cattle painting this picture is a notable example. 


| Signed at the lower left, and dated 1857. 4 
[ Shu dake. 4 fainting am calztoqux, of Mhire aale) 401359. ) 


: Edwin Thorne Collection, New York, 1893, Catalogue No. 75. - $7 00- 
Frederick Bonner Collection, New York, 1900, Catalogue No. 73. = 6 4 10. 


By order of the Executors of the late Istpor WormseEnr. 
: 
| 


ee 


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a ane, 


Paul Jean Charles Clays \ 


BrEtcian: 1819—1900 Joa 
La Mary, oe 


é 
/115—BOATS ON THE SCHELDT 4a)‘ ‘be FW ac 
Height, 17 inches; length, 244% inches + phripes > 
“| . ox ss 


: Tre 5 

_ SEVERAL fishing boats and a barge or two are here depicted | 
in a group, on the right of the composition, in the waters of the 7 | yey 7 : 
PScheldt, which extend across the picture. On the left is the Aim 
_ bank nearby, with two windmills, a house, and a vessel on 
the stocks. Off in the distance, at the right, is a glimpse of the 
farther shore. The sky shows masses of gray cloud with a 
Mist ce space of blue in the upper left portion. The yellows and 


te 


_ reds of the boats and their sails appear in pleasing contrast 


—, = Se ae 


to the other more quietly colored portions of the picture. 


Signed at the lower right. 


By order of Hiri, Locxwoon, Reprieitp & Lypon, Attorneys. 


——__ 7 -& es ee oe ee a ee ee ee ee ee eee ee eeS-CTCtst— 


Io" 


Alexander H. Wyant, N.A. 
AMERICAN: 1836—1892 


116—INDIAN SUMMER: ARKVILLE 
a7 70 N l 3 


Anvthe VELL Bgiy 1814 inches; length, 25 inches 


SCATTERED through a forest glade are rugged gray-barked trees. 
with the sunlight falling on them from the left and their rich” | 
autumn foliage glowing with color. Beyond is the dense wood, 
and in the foreground are a few gray rocks. So 


Signed at ie ier ail 
From the A. H. Wyant Sale, New York, 1894. JS- PI5O~ 


By order of Mr. Epson Brapuey. 


= 0S 


“iD Jean Baptiste Robie 


(yO Bewveian: 1821—1910 
| 116a—ROSES Jp. Gnart0an- 


Panel: Height, 2214 inches; length, 2834 inches 


eee 


A. BUNCH of roses with some other flowers, forming a large 
loosely formed bouquet, placed on the ground against a rock 
in a garden recess. The principal notes of color—pink, dark 
red, and whites variously tinted—form an agreeable harmony. 


Signed at the lower right. 


Purchased from the William Schaus Galleries, New York. 


From the collection of the late F. L. Lorine. 


Sa OED SS Trees Sea —— _ 
oO ET URE EY SS Semen Deere . 


Martin Rico 
Spaniso: 1850—1908 


117—GRAND CANAL, VENICE 


Vw bes Height, 20 inches; length, 28% inches 


In this picture the beautiful treatment of the water and the — 
sky is perhaps more remarkable than in many examples of _ 
Rico where the buildings assume far the greatest importance. 
We have here a group of buildings, on the right in the imme- 
diate foreground, some others on the left at the other side of 
the broad canal, and a line of them across the middle distance — 
indicating the mass of the city. On the water are numerous 
boats and gondolas moving gracefully over the placid waters. 
The sky itself shows a space of tempered blue with some small — 
warm-tinted clouds in the lower portion. 


Signed at the lower right. 
Purchased from M. Knoedler & Co., New York. bb + BAEK 


From the collection of the late F. L. Lorine. 


es 


a= 


Alphonse Marie de Neuville 7,72 _ 


Frencu: 1836—1885 eee 


118—DELIVERY OF A MESSAGE UNDER A FLAG 
7 OF TRUCE: FRANCO-PRUSSIAN WAR 


Water Color: Height, 271% inches; width, 184% inches 


A youne German officer, in dark blue uniform with a great- 


coat of green-gray hanging on his shoulders, and a German 
infantryman behind him bearing a flag of truce on a lance, 
are seen on the right of this interesting composition, while on 
the left a French general, who is accompanied by an aide and 
a bugler, is returning the salute of the German officer. 


Signed at the lower right, and dated 1884. 


Purchased from L. Crist Delmonico. 


From the collection of the late Leon ManveEt. 


Adolf Schreyer 
GERMAN: 1828—1899 


119—A RUSSIAN COURIER ae 


ae Height, 291% inches; width, 22% inches 


Aaa Russian fleigh, drawn by a black horse, rapidly driven ah ag 


. yi , 5 — 
ie ah ff coachman in furred coat and cap, with a courier in the back — 
Se / seat wrapped up warmly, is coming through a road in a forest. 


| {: Cf The horse, the sleigh, and its occupant make a mass, pictorially q 
ie” f speaking, which is effectively relieved against the background — 
iv of snow covering the roadway and the forest through which the _ 


itinerary is laid. 4 
Signed at the lower left. 


Purchased from Messrs. Scott & Fowles Company, New York. 


By order of Hiri, Locxwoop, Reprietp & Lypon, Attorneys. 


Jum (iam he colton of Ue (alo bb. St if iy 


(1007, bsnghh anole Lief Uaese lois Sb-13f,9 06, Too 
hdd. beater dirter tes Lypk 1906 


KS  Qucenseguonueh  faaw! 4) Me Slawueh, bar 1915" Cbect. 


No. 120 
THE ROAD TO THE SEA 
BY 


JULES DUPRE 


AA 6? 


Jules Dupre \ 4" | 
Frencu: 1812—1896 ‘ | q 


a 


120-—THE ROAD TO THE SEA 


, !, VL Ly AICS. Height, 26 inches; length, 32 inches 


THE foreground is crossed by a roadway with a small pod 
in the immediate foreground, and on the farther side is a bank, 
where several groups of trees are seen. Over all is a fine sky _ 
of white and gray clouds with some spaces of blue. The land- 
scape is painted in restrained tints and a vibrating note is 
given by the white shirt of a wayfarer tramping along the road 


Signed at the lower left. 


Purchased from the Yorston Gallery, New York. 
From the collection of the late F. L. Lorune. 


Mk 1bof edeoro He: JG F 11874 3 


3o-¢ j 
ey ee ae : a a 


a a rr 


a te ge a 


f 
aren ames S. 


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No. 121 
THE EDGE OF THE POND 
BY 


— 


CHARLES FRANCOIS DAUBIGNY 


j 
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. 


Q 


Charles Francois Daubigny | 
Frencu: 1817—1878 


121—THE EDGE OF THE POND 


7, Ae BL i: Height, 19 inches; length, 33 inches 4 ~ 
as 1 THE waters of a pond, with lily pads on its surface, fill the 
foreground, and on the grassy banks which are in the middle ~ 
distance of the picture, are clumps of trees. On the right is a © 
stretch of distance and overhead a sky filled with gray clouds. — 
A small patch of blue is seen near the middle in the upper part. — 
These elements are composed in a landscape of much distinc- — 
tion in design and depicted with the characteristic color quality — 
of Daubigny and his virile handling. An important and emi- © 
nently representative example. F 


Signed at the lower left, and dated 1873. — 


From Messrs. Goupil & Co. and Georges Petit Galleries, Paris. a 
By order of Mrs. Haroip Tuorne, daughter of the late H. S. Witson. 4 


Grape 0 Aewvists 4 ane Cheep 1 
Cae teobS 


No. 122 


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BY 


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EMILE VAN MARCKE 


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Emile Van Marcke 


Frencu: 1827—1890 4 | he 
A, 800 22—-CATTLE AND LANDSCAPE rh 


Dlx (Derek, At, Height, 24 inches; length, 30 inches 


A croup of two cows, one in side view with dark brown coat 
and a white forehead; with another, fawn-color and white, lick- 
: ing her shoulder. Somewhat farther away on the left is another © 
| cow grazing. ‘The setting for the cattle is composed of level 
: pastures and a fine sky of gray, with some patches of blue near 
the top of the canvas. By the simplicity of its composition and 
the well-managed effects of light, the picture makes a con- 
vineing impression. 


Signed at the lower left. 


By order of Hiri, Locxwoop, Rrprietp & Lypon, Attorneys. 


‘THE RETURN OF THE FLOCK 
BY 


fo. 128 


LES DUPRE 


J 


adil 


GA Jules Dupre 
[A 


ea. ee ee ee |! 


Frencu: 1812-1889 


123—THE RETURN OF THE FLOCK 
AG JZ O0— ; Height, 28 inches; length, 40 inches 


(a alien “A DEPRESSED, grass-covered lane leads between high banks 
through the middle of the foreground. Trees growing on either 
side frame in a view of a river and village, in the middle dis- 
tance, and beyond lie a range of hills and stretches of forest. 
Advancing through the lane is a flock of sheep with a shepherd 
following, the light being so disposed that the foremost sheep 
receive the most illumination. Back of them, under the arch- 
way of trees where the shepherd appears, shadows produce a 
well-managed contrast. Overhead is a sky composed of great 
masses of gray clouds and some spaces of blue. ‘This ef- 
fectively arranged composition is painted in a scheme of warm 
color and the disposition of the light and shadow give it an 
attractive general effect. 


Signed at the lower right, and dated °50. 


Henry Graves Collection, New.Y ork, 1909, Catalogue No. 30, 9B JOO - be £ 
” tow Poe eR A “Th 


By order of Hitx, Lockwoop, Reprietp & Lypon, Attorn¥ys. 


No. 124 


~ 


HOMESTEAD BY THE SEASIDE 


_ 


JEAN CHARLES CAZIN 


> 


— 


Jean Charles Cazin 
Frencu: 1840—1901 


3 000 — 124 HOMESTEAD BY THE SEASIDE 


Va Lifen BMAD Height, 26 inches; length, 32 inches 


Tuts beautiful picture shows two or three haystacks in the 
middle distance, on the right, and some fields on the left. 
Near the haystacks is the farmyard, showing the house with 
its roof of tiles, some other buildings and low shrubbery. In 
the immediate foreground is a farmer returning from work, 
carrying his tools and basket. In the distance is a view of the 
sea. The sky shows an early evening effect with a crescent 
moon in the right upper center. ‘The picture is admirably uni- 
fied and extremely pleasing in color. 

Signed at the lower left. 


re | 
Purchased from Julius Oehme, New York. 5 ADbe. \R lof Weaeth' 
Sani * 


From the collection of the late F. L. Lorine. IA | 


“SHEEP AND FOREST 


BY 


te 


CHARLES EMILE JACQUE 


Charles Emile Jacque 
4 Bees Frencu: 1818—1894 


Height, 2314 inches; length, 32 inches 


A Fock of sheep, advancing slowly forward and close together, 
is seen in the left foreground cropping sparse grass. Among 
them is an elderly shepherdess, while a black sheep-dog stands 
watchfully in the center of the picture on the edge of the wood. 
The right foreground and left middle distance are filled with 
the trunks and foliage of trees. In the left upper portion of 
the composition is a space of sky, showing gray and white 
clouds with a dash of strong blue. The whole constitutes an 
effective picture. 

Signed at the lower right. 


By order of Hitt, Lockwoop, Reprietp & Lypon, Attorneys. 


—————— 


a 


| ie nee 
Félix Ziem 


Frencu : 1821—1911 


126—_FISHING BOATS, BAY OF VENICE 


Panel: H eight, 1934 inches; length, 3114, inches 


sot Ae 


Natl Y FaceL2k. im 


SEVERAL fishing boats are anchored along shore on the left 
of the picture, showing some sails of yellow and red and bare 
masts, on which are strung fishing nets. The smooth blue 
water of the bay occupies the foreground and in the distance 
the buildings, towers and domes of Venice glimmer in the 
sunlight. Above is a sky of blue, tempered with pink and 


gray near the horizon. 


Signed at the lower left. 


From the Mary J. Morgan Collection, New York, Catalogue No. 65. PISO 


By order of Mrs. Harouip THorne, daughter of the late H. S. Witson. 


Jules Dupre 
Frencu: 1812—1889 


us 


oC, / / 00 — Height, 2334 inches; length, 383/, inches 


Zz tien Selieweae. color quality showing a harmony of quali- 


fied blues, greens and grays with accents of tempered white. 
A yawl is seen sailing along in the first plane of the picture 
amid tumbling waves which lift the prow, and another sail 
appears, on the right, in midocean, and yet another on the 
horizon. All these elements are united with an impressively 
treated sky of clouds of gray, both light and dark, and showing 
masses of warm-tinted white in some portions, with a sug- 
gestion of blue in a space near the middle. 


127—_THE OPEN SEA 


Signed at the lower right. 


From the William H. Fuller Collection, New York, 1898, Catalogue 
No. 28. 87600 4 


By order of the Executors of the late Istporn WormseEr. 


{ 


? 


7 Pha a = Pee, age eee ee : ~ — se ~ rie 7 me _—— . — _ - = on . re a > — . age RTE 
ney inet arte Doe heres tee tae Cot es (ain cota be etan i e Titi Pees a : 
" 7 ee 7 ‘ 5 > — Aare . ut Pi ; 1 1 ie ” PRN iat cate eer ia ~ Bs 


ee oe ei 


other cattle and a windmill. The sky is composed of gray 


Theophile de Bock 
Durcu: 1850—1904 


1283—HOLLAND LANDSCAPE |, 


Height, 21 inches; length, 33 inches 


i 


TuE foreground is composed of a pasture-field, roadway and 
pond; the whole bordered, in the middle distance, by willow 
trees. Some cows are passing from the foreground pasture 
into fields beyond, where may be seen, in the distance, 


and white clouds. ‘The general effect of the picture is pleasing 
in its harmony of cool color tints. 


Signed at the lower right. 


By order of Hitt, Locxwoop, Reprietp & Lyvon, Attorneys. 


Paul Jean Charles Clays —s_— 
Betcran: 1819—1900 


, C00 — 129—MOONLIGHT NEAR AMSTERDAM 


anel: Height, 221% wmches; length, 30 inches 


A NIGHT picture of sober quality with the moon, which appears 
in a space amid the clouds, casting its light on the waves of 
the sea which occupy the foreground. On the left, prominent 
in the composition, are two sailing vessels gliding slowly along 
and in the distance are others. A rowboat is also seen, in the 
middle distance at the left, making its way apparently from 
one vessel to another. ) 
Signed at the lower right. 


Purchased from M. Knoedler & Co., New York. fune S976 P USK. 
From the collection of the late ¥. L. Lorine. 


bingfh | Lope bile) 1896 4 X50. PISO, 


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— ded 


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7 
ay 


No. 180 


MOHAMMEDANS AT PRAYER 


BY 


~ 


JEAN LEON GEROME 


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Jean Léon Gérome 
Frencu: 1824—1904 


m7, 200 — 130-MOHAMMEDANS AT PRAYER 


Pot Hee OE oR Height, 2814 inches; length, 36 inches 


THERE <4 six figures in this composition and they are arranged 
in two groups. Standing on a red rug, on the left, are a man 
and a little boy, both with hands uplifted as they pray, while in 
the other group, on the right, two figures in white are bowed 
down with their faces on the floor; another one in white is stand- — 
ing up between them with head inclined and hands clasped; and 
the fourth behind these, with a robe of blue and a yellow turban, 
is kneeling. The setting for the picture is the interior of an 
Oriental building with tiles inlaid in the walls, and through a 
window at the left are seen a tree and garden in the sunlight. 
Sunlight also flickers downward to the floor of the pele 
ment near the middle of the picture. 


Signed at the lower left center. 


Purchased from Scott & Fowles, New York. 


From the collection of the late Leoxn Manpet. 


hy! intr Bahl a> aa a 

_ Efe eed Te NETL Te 
te Ry wee Se ee a = al ; 
8 . 4 meaty ' eaten erent 


Pee Nonisl 


THE CHOICE OF THE 


BY 


MLLE. ROSA BONHEUR | 


aS - 
ea iene ed - 


Mlle. Rosa Bonheur 
Frencu: 1822—1899 


of G20 181-THE CHOICE OF THE FLOCK 


| “7 rf d Gea Height, 3124 inches; length, 3914 inches 


A croup of two ewes, full-fleeced, perfect specimens of their 
breed, standing in the foreground of the picture, the one nearest 
the spectator in side view, with head to the right, and the other, 
behind, to the left, with head uplifted. The trunk of a great 
tree appears beside them and a green valley stretches away 
beyond, with blue hills in the distance. Some other sheep, 
farther away, are seen in the pastures, on the extreme right, 4 
and overhead is a high sky of gray clouds with strips of blue od 
showing near the horizon. A notable example of the work of 
the celebrated French painter of animals. 


; - e = oe 4 ; cg \s 


ie 


ree 


Signed at the lower right. 


From the George I. Seney Collection, 1891, Catalogue No. 213- PG PO - 
From the D. W. Powers Collection, New York, 1899, Catalogue No. 87~- Aya 


By order of the Executors of the late Isinor WormseEr. 


’ 


NEAR DORDRECHT 
BY 
PAUL JEAN CHARLES CLAYS 


cea 


Paul Jean Charles Clays 
Beucian: 1819—1900 


PU On 182 NEAR DORDRECHT 


anes Vike Height, 32 inches; width, 27 inches 


THE composition presents two groups of vessels, the most 
prominent boat bemg on the right, sitting low in the water 
and with sails hoisted. Two men in a dory hold a line from 
her bow. The water shows the reflections of a high sky of 
white and blue and of the dull reds, yellows and browns of the 
shipping. In color and arrangement a superior example. 


Signed at the lower right. 
By order of Mr. Enson Braptey. 


GRAND CANAL, VENICE 


BY 


FELIX ZIEM 


! 


a 


of 00 Panel: Height, 23 inches; length, B41, nates 


Pore 0 Ao 


Felix Ziem 
Frencu: 1821—1911 


133—GRAND CANAL, VENICE 


Tue f ae Ah is occupied by the waters of the Bay of Vities 
in which, in the nearest part, is a black gondola being sculled 
along by its two boatmen, and a little farther away, on the 
right, there is a large sailing vessel with the sails partly lowered. 
In the distance appear St. Mark’s, the Campanile, Santa Lucia, 
and other buildings rising in the mass of the city. Overhead 
is a sky of blue, and the general tone of the picture shows warm 
glowing tints, in which the black gondola makes a valuable 
note. 

Signed at the bees right. 


ov) 


Purchased from Julius Oehme, New York, 1911. Dah vin 


From the collection of the late F. L. Lorine. 


ee 


ere Naa hod 


| GATHERING CLOUDS — 


P.) 


BY 


_ GEORGE INNESS, N.4. 


yom 


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George Inness, N.A. 
Anrenica: 1825—1894 


LV PfO— 184-GATHERING CLOUDS 


iy WA pee ligt Height, 251% inches; length, 3234 inches 


A TONAL Inness landscape with the foreground, in which is a 
pond and cattle, in shadow. The middle distance, where there | 
are level lands and belts and groups of trees and one or two 
houses with white walls, lie in the quiet light of a late afternoon 
sun. The lower portion of the sky is in tints of blue and gray, 
while the upper part shows a mass of dark gray cloud from 
behind which falls the faint sunlight. A large full-foliaged 
tree, in shadow, is seen near the middle of the picture, and thus, 
the three dark masses—the clouds above, the foliage of the 
tree, and the wide foreground in shadow—bring into fine relief 
the middle portion of the picture upon which the sea 


gently plays. 


Signed at the lower right. 


By order of Hitt, Lockwoop, Reprigip & Ly pon, Attorneys. 


Gace lee eedooe S/6 ite tinh fe 


200 


Mile A Schwn Saly S91 K2b8 1 Bo 


tee = = i —— eee a ESS — Se Sea eae ee ee eae aS aren ee 


ne 
nova eS 
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co of 


BY 
FRANZ VON LENBACH 


{ Franz von Lenbach 
German: 1836—1904 


i 

‘ 
\ 1385—BISMARCK 4 
Ly e OO Height, 38 hee width, 3414 es 


lag eee 7 Bassa von LENBACH painted a number of portraits of Bis- 


marck, finding interest in the features of the great German 
statesman and apparently delighting in portraying them under 
varying aspects. This is a half-length life-size portrait, helmet 
on head and the costume consisting of a military coat and great- 
coat lined with fur. The head is turned to the spectator’s left 
and shows in its expression the vigorous character of the sub- 
ject, as well as a certain quiet repose. The general tone of the 
canvas is made of subdued color and the face, by being fully 
lighted, concentrates the interest of the spectator. 


Signed at the lower right, and dated 1896. 


Purchased from the William Schaus Galleries, New York. 


From the collection of the late F. L. Lorine. 


_ THE PROPHECY 


BY 


_ VASILI VERESTCHAGIN 


/70— 


| Ay Height, 30 inches; length, 891% wmches 


Vasili Verestchagin 
Russian: 1842—1904 


136—_THE PROPHECY 


THE foreground shows the top of a hill, on high ground, over 

looking the blue waters of the sea of Galilee, with a white- 
sailed boat or two skimming along on its surface. The figure 
of Christ, in a white robe with his hair flowing over-his shoul- 
ders, is seen seated on the high ground, his back to the spec- 
tator, and the attitude suggesting reflection and thought of the 
future. Across the expanse of the sea appears a line of hills 
and above is a southern sky of qualified blue with a few clouds. 


‘Then began he to upbraid the cities wherein most of his mighty 
works were done, because they repented not: ‘Woe unto thee, 
Chorazin! woe unto thee, Bethsaida! for if the mighty works which 
were done in you, had been done in Tyre and Sidon, they would have 
repented long ago in sackcloth.and ashes. But I say unto you, it 
shall be more tolerable for Tyre and Sidon at the day of judgment 
than for you. And thou, Capernaum, which art exalted unto heaven, 
shalt be brought down to hell, for if the mighty works which have been 
done in thee, had been done in Sodom, it would have remained unto this 
day. But I say unto you, that it shall be more tolerable for the land 
of Sodom in the day of judgment than for thee.” (Matt. x1. 20-24.) 


From the Vasilt Verestchagin Sale, New York, 1891, Catalogue No. 39. 


By order of Mrs. Fuorencre Macy Surron. 


; re Fy ( eer 4 a } f 


iia 5 nF rt nani gamnineiog 


NOTE 


; : . THE FOLLOWING DESCRIBED GROUP OF 
= TWENTY-FOUR EXAMPLES 
aaa oe 
_ THE FRENCH IMPRESSIONIST 
~ CLAUDE MONET 
= ; WERE ee see THE PAST THIRTY YEARS BY THE LATE 


MR. JAMES F. SUTTON 


AN ORGANIZER AND FOR MANY YEARS SENIOR MEMBER OF 
THE AMERICAN ART ASSOCIATION 


THEY ARE TO BE SOLD BY ORDER OF MR. SUTTON’S WIDOW 


MRS. FLORENCE MACY SUTTON 


Claude Monet ja OR 


Frencu: 1840— | : Lh wt 


. A ~ yx 
i 4 fi 1387—LA SEINE A ARGENTEUIL 
| a0 
ne ive /. fp Yj Height, 23%4 inches; length, 32 inches 


In the lower half of the picture is the river, with many sail- 
boats at anchor, one with a red hull making a strong color note. 
At the left, on the bank, are villas and trees while on the op- 
posite shore, in the middle distance, some white buildings are 
seen. The sky is of gray-blue with clouds of qualified white. 


Signed at ‘ie lower left, and dated 75. 


Claude Monet (uh “ 


Frencu: 1840— 


mi 


| A 309 188—BATEAUX DE PLAISANCE A ARGENTEUIL 


Ape VA Height, 21% inches; length, 26 inches 


In a river, which occupies the foreground and stretches away 
from the point of view of the spectator into the middle dis- 
tance, a fleet of boats is seen at anchor. All sails are lowered 
and the hulls and bare masts are reflected in the water. On 
the right, in the immediate foreground, a large white row- 
boat is moored near a building on the bank. On the shore at 
the left are houses, trees and figures, while overhead there 
is a blue, clouded sky. The picture is painted under an effect 
of sunlight which comes from the left. 


Signed at the lower left, and dated 1875. 


Claude Monet 
Frencu: 1840— Vy 


h 4 200- 189—FLEURS DANS UN POT 
! | Accra De H- Mawel Height, ae inches; width, 241 inches 


A SOBER piece of still-life painting, showing a great bunch of. 


pink roses and white spirea in a brass bowl. ‘The bow] is placed 


on a table covered with a striped cloth, with vellow as its. ‘pre-. 
dominating tint, and the various elements of the picture are 
made to combine in a quiet but yen forceful POs of 


color. 
Signed at the up per left, and dated 11878. 


“oe 


Oe ee ee aa ee ee ¥ - oe 
SS A PONE ALARMED NE RR IIA, B Io". fy gare lal 


( 0 
(, v 


x 
TAR 
Claude Monet (1 e 
Frencu: 1840— 


140—CHEMIN DE HALAGE A ARGENTEUIL 


Height, 231% inches; length, 39 inches 


Tue foreground shows a road following its direction along 
the bank of a stream. On the right, the water reflects the 
leaden tones of a gray winter sky. Three or four figures on 
the road, producing dark notes of importance, and a group 
of trees are the other elements in a simple composition. Snow 
partly covers the roadway and the ground on either side of 
it, the whole presenting a quiet, truthfully rendered phase of 
nature. : q 


Signed at the lower right. 


ee Fo ee oe ne 2 lanai 


\ | 
Claude Monet (orig. 
eer q 


Frencn: 1840— 


er ay 141—SUR LA FALAISE PRES FECAMP 
y) me 4 


yy Wy Sb Height, 26 inches; length, 311% inches 


As its title indicates, this is a seashore view, and it is taken from 
the tops of the grass-covered Normandy cliffs. Herbage, ripe 
and dry in the autumn season, and a wind-swept tree, with its 
branches mostly bare, diversify the foreground while the blue 
sea, occupying the middle distance, forms a color contrast to 
the yellow and pink of the dried weeds and wild flowers. On 
the right of the canvas a rock juts out into the sea and over- 
head is a sky, mostly blue, with clouds at the horizon. 


Signed at the lower left, and dated ’81. 


7 200~- 
Alurantl 


bey nd 
Y 
ay ea. St 
Claude yo (ee 
Frencu: 1840— | aw ni 


142—PAYSAGE DHIVER A BENNECOURT 


O Height, 25% inches; length, 391% inches 

ATCHES of broken, snow-covered ice are seen floating in the 
river, which fills the whole lower half of the canvas. On the 
left is a portion of the bank, with trees. In the middle dis- 
tance, dimly seen, are the farther shore and hills-rismg beyond. 
Over their tops appears a sky of a subtle gray tempered by 
the pink tints characteristic of the late afternoon in winter. 
This landscape shows eminently well Monet’s just apprecia- 
tion of values as well as a delicate rendering of the general 
effect. 


Signed at the lower right. 


| ees 
Claude Monet 


Frencu: 1840— we 


eR Dogs 143—VUE DE BORDIGHERA 


q _ SLA Ae Height, 26 inches; length, 32 inches . 
| | THE hilly shore, sloping upward to the left and filling the fore- 


ground of the picture, presents a diversified piece of landscape 
with grass, herbage and small trees. On the right are larger 
trees showing masses of foliage, so that a vista opens in the 
middle portion of the composition where we see the white 
buildings of a town, perched high above the blue sea, which 
lies beyond. The walls gleam in the sunlight. Above is a 
strip of blue sky tempered with atmospheric grays. The com- 
position of this work is exceedingly happy and the picture 
is most striking in general effect. 


Signed at the lower left, and dated ’84. 


Coie 7-0, Od aes 
US (LepRODULED 
(KD: Ce ONS Cares 


og 


NE RE BIO 


Claude Monet (ol 
Frencu: 1840— ee 


¢ 144 _MENTON VU DU CAP MARTIN 
S000 | 
| q oT po. es feet Height, 26 inches; length, 382 inches 


| | 
| | 
| j 


A. CHARACTERISTIC Monet of his Mediterranean series wherein 
the composition shows a roadway in the foreground, tending 
to the left, where it is bordered on either side by a group of 
trees. In the right middle distance is a glimpse of an inlet 
of the sea and, beyond, rising to the top of the canvas is a— 
cloud-capped mountainside with houses nestling at its base 
along the line of the shore. ‘There are strong contrasts, as 
between the rich, dark green foliage and the red earth of the 
road, and the picture is one of remarkbale carrying power. 


Signed at the lower right, and dated 84. 


4 


\ 
~) Claude Monet — wy 


Frencu: 1840— (vk ‘ 


145—LE BRAS DE JEUFOSSE 


+ RE NS Baka eee 
’ * “a ' i 2 


M2 20_ 
D Decand-fae€ 
i a A RIVER winds from the foreground around its banks, on the 
right of the picture, where trees and bushes are seen in autumn 
foliage. On the bank at the left, beyond an expanse of grass, 
vividly green, is a hillside, likewise clothed in autumnal tints. 
Above is a space of sky with grayish clouds. The masses of 
foliage and their reflection in the water form a brilliant, uni- 
fied ensemble in which the various notes play their parts and 
contribute to the attractive general aspect of the landscape. 


Height, 24 inches; length, 29 inches 


Signed at the lower left, and dated 84. 


Claude Monet | 7 ea yr : 


Frencu: 1840— a 
146—LES MEULES, GIVERNY 


a ai OO eT Height, 2534 iene’ length, 36 inches 


Been conical- “shaped haystacks, thatched to shed the rain and 
snow, are seen in the foreground, the larger one at the right and 
the smaller at the left. Beyond, over a stretch of distance, is” 
a sunset sky; the whole forming a puissant -piece of color, 
with variety of tints and truthful observation of light and — 
atmosphere. Bd 
Signed at the ome left, and dated ’84. 


Height, 26 inches; length, 36 inches — 
inane 


Claude Monet r 


(Za 
FREeNcH : 1840— VA we 


147—LA MANNE PORTE, ETRETAT 


Tuts picture is a brilliant and very characteristic example 
of Monet’s marines, with rocks, in which he found full play 
in recording his impressions of color. It shows one of the well- 
known rock formations on the Normandy coast, at Etretat, 
in which the rock is a sort of natural archway, the sea run- | 
ning through the opening. ‘The water, in this instance, shows 
fine, varied tints of green while on the rock there are pink, 
gray and blue. Above the expanse of the ocean, lying pale 
green in the sunlight, is a sky composed mostly of floating 
white clouds. In the right upper portion are some spaces of 
qualified blue. | | 

Signed at the lower left, and dated ’85. 


a 7 
Claude Monet | sem q 
Frencu: 1840— | | 


148—TEMPETE A PORT GOULPHAR, BELLE- | 
ISLE ye as 54 


F000 
@ yr anie Heal Height, 2534 inches; length, 32 inches 


A Moner of fine quality, presenting a shore view with the 
sea rushing in with a fine sweep, swirling among masses of 
jagged rocks, in the foreground, and dashing against a head- 
land which crosses the picture well up toward the top of the 
canvas. Above is a space of.sky with tints of pale gray and 
tempered blue. 

Stoned at the lower right, and dated ’86, 


Claude Wlonet ; inh t 
Frencu: 1840— | {fut 


7 149—LES COQUELICOTS: GIVERNY 
[0 0 — 


Height, 26 inches; length, 361/ inches 


ie FIELD of clover, ready fa the scythe or the mowing machine, 
thickly sprinkled with red poppies, fills the entire lower half 
of the canvas. The field is bordered, in the middle distance, 
by a belt of trees, varied in form and mass as it is seen stretch- 
ing across the picture. Overhead is a summer sky of warm 
grays. . -) ie 

| Signed at the lower right, and dated ’87. 


SHARES LS 
a eS 


is ge 
Claude Monet — HAs vig 
Frencu: 1840— if 7 


150--BROUILLARD: GIVERNY 


Wi Aijacdler b0d Height, 29 inches; length, 36 inches 


Like the landscape with the same title, No. 151, this is an 
effect of mist, and so pale is it in general tone and so all-en- 
veloping is the fog that there is little else to be seen. One 
tree, however, on the left, is made out vaguely as the morning 
sun faintly touches its foliage with violet light. 


Signed at the lower left. 


1 ‘ \= ~~ = = ~ = le P - 2 , 
' ee ee ila : : ws PRN ee ene 3 aes ’ iia ae’ ’ el a 7 a ee 
SN egal ia st {e SO elt te RBs mente a ahs ie om Syren the he , > oF ee owe "ps 
. ; : se aes ? ee a TET ae i os Sa a 


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Claude Monet 2 ee, x . 
FrencH: 1840— | Vel Yeah Ei 


151—BROUILLARD: GIVERNY 
SS SUE 


Height, 29 inches; length, 361 inches 


THERE is nothing but the fog vapor to be seen in the lower 

part of the picture, but the trunks of trees partly emerge from 
it higher up, and the foliage on one tree assumes form as it 
reaches the top of the canvas. The whole is a pale, evanescent 
effect such as is often seen in nature and it is truthfully pre- © 
sented here in a piece of painting that is elusive in handling. 7 


Signed at the lower left. 


Claude Monet fee 
FrENcH: 1840— . ae 


152—ANTIBES, VU DU CAP 
ZO | 
Bi od et Height, 26 inches; length, 3676 inches 


One of the most striking pictures i in Monet’s Mediterranean 
series. ‘The waters of the gulf fill the middle of the canvas 
and show tints of blue and green. In the immediate fore- 
ground, at the left, there is a bit of rocky shore, light yellowish 
gray in the sunlight. Across the bay the town, with warm white 
walls and red-tiled roofs, stretches along the shore, and beyond 
are mountains, violet tinted in the distant view. Overhead 1 1S 
a sky of tempered blue and gray. 


Signed at the lower left, and dated ’88. 


P-B, eh I7; REP 1 Conor 


; a ; ; mal Aad Sa ‘ : 
’ Te Ba Vaneces, | 


Claude Monet a 
FRENCH: 1840— Voy ae 


153—LES EAUX TREMBLANTES A FRESSE- P| 
eo. LINES, CREUSE _ : 


Height, 2514 inches; length, 3614 inches 
AL Jeccand “fhacel 2 2 3 2 


A LANDSCAPE of rolling country with a narrow, steep-sided 
valley, or ravine, opening out in the foreground, where a stream 
flows through the gap. Rocks and herbage are depicted with 
a fine and discriminating variety of color tints and the stream 
—hblue, with little crests of foam appearing as the water flows = — 
through its stony bed—reflects a narrow space of the sky with 4 
some clouds floating, at the top of the canvas. The landscape 
is illuminated by sunlight falling from the left and effective 
shadow masses, as in the ravine, emphasize the force of the 
puissant color. | 
Signed at the lower right, and dated 89. 


Fae 
\ 


| ote 
Claude Monet | ‘3 es 
Frencu: 1840— / 


154 VILLAGE DE LA ROCHE, CREUSE 


7 00 
ye 


THE houses of the hale are in ‘silhouette, on he crest of a — 
hill, near the top of the canvas, against a brilliant evening sky. 
In the foreground a little stream runs across the picture and ~ 
from its shores a path winds up the steep hillside to the village. 
The values are most truthfully observed and justly rendered 
in this striking landscape and the color is agreeably diversified. 


Height, 26 inches; length, 361% inches 


Signed at the lower left. 


ESS RTT SI ESOS TA SOE DT TORR em RN ST TRE SS EEE, St pe ce tt Sg TT 


Frencu: 1840— 


a 155—LE JARDIN A GIVERNY 
PE 


A GARDEN. filled with rectangular beds of purple blue poppies 
occupies the foreground. Beyond is a piece of water in which _ 
the doorway of a country house is seen reflected while trees 
which border the garden spread their thick foliage over the 
upper part of the picture. Sunlight plays across the garden 
and the painter’s object—to render light and air in a sub- 
ject with somewhat difficult problems—is well accomplished. 
The general aspect of the picture is vividly compelling. | 


Height, 32 inches; length, 86 inches 


Signed at the lower right, and dated 1900. 


0%" 


156-—LA MEULE A GIVERNY 


Claude Monet mh 
FRencu: 18402 —% * an 


ieee ~ gfe gt 4 od) 
ee ot B e 7 te 
ae <— eS ere RT 
ee — = es 


{L0a0 
[leant 


One of the celebrated “Haystack Series,” being a rendering 
of an effect of light and color; the same motive that the 
painter used for a number of other studies of the same hay- 
stack. In this landscape the great bulk of the stack fills the 
right-hand portion of the canvas and on the left are fields and 
a hill. The sky, above, is intensely luminous with the glow of 
sunset, the greatest brilliancy being directly behind the hay- 
stack, where the sun has evidently just sunk below the horizon. 


AN ehh ar aaa 


CONS, Height, 2834 inches; length, 364 imches 


Signed at the lower left, and dated ’91. 


RTS TS RAE LI IEE REE RES GOL ELL RA A 


Me ye 


Claude Monet So NF , 
Frencu: 1840— . 


157—LA SEINE A BESSANCOURT EN HIVER 
SI, 000 4 


Height, 231 ene length, 39 inches 
Aiuvaid- Nogl CO a 


Tuis is a beautiful example of the landscape painting of Claude — 

Monet. The elements are very simple: a stream winding 

through snow-covered flatlands, a group of trees in the center | 
middle distance, and a line of blue hills beyond, with a whitish — 
gray sky above. It is truthfully observed and the scene is q 
depicted with a just perception of values. The color scheme q 
shows a variety of tints that appeal to the vision of a painter — 
but that in nature would offer to the untrained observer little 
but monotony in an uninspiring eyesweep of winter gray. — 


Signed at the lower left. ™ 


Woe Yes bo Height, 28%4 inches; length, 41% inches 


Claude Monet V 
Frencu: 1840— 


158—_LE BASSIN AUX NYMPHEAS, GIVERNY 


THE entire canvas, except for a strip at the top, of green bor- 
dered shore, is occupied by the surface of a pond on which 


are seen, here and there, the pink, pale yellow and lilac blos-— 


soms of pond lilies with their floating pads of green. The 
water reflects the foliage of trees and a sky of blue with white 
clouds. But it would be inexact to describe the tints in this 


picture by the uncompromising names of mere blue or white — 


or pink or green. ‘The ensemble is a harmony of qualified, 
sensitive notes of color, producing a subtle and charming gen- 
eral effect. 


Signed at the lower right, and dated ’93. 


' My i aos : . a! Ps " 1 
RES Feet eS pi] Sign i tise oS toye Ot Say TID = Regt aati Ha 


Claude Monet 
Frencu: 1840— 


159—PORTAL OF THE ROUEN CATHEDRAL 
(MORNING EFFECT) 


Vir Height, 8914 inches; width, 2514 inches 


THis is one of the celebrated series of pictures of Rouen Ca- 
thedral, which he painted under many different aspects of 
light and atmospheric effects. The portals are seen, rather 
dimly, in the lower part of the canvas and higher up appear 
the great rose window, the towers and the main body of the 
structure. All the upper part is painted in violet tints, almost 
in halftone, and the stonework is delicately illuminated by 
pale sunshine, on the tower at the left and on a wall at the 
right. ; | 
Signed at the lower left, and dated 94. 


Claude Monet — v ts a 
Frencu: 1840— 


| 160—MATIN SUR LA SEINE, GIVERNY — 
| V4 08 a ao 

Ll 2pvet 2 Height, ue inches; length, 36 inches MF es 

| Tue motive of this landscape is a bend in the river Seine with __ 

a wide expanse of its surface reflecting the foliage of the trees, __ 

which are seen on the bank at the left. The general effect shows 

a misty atmosphere and the predominating color notes are 

pale greens and lilac. 3 Sie : 


Signed at the lower left, and dated 97. 


es as 


3 —™ PORTANT WORKS 


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"AMERICAN ARTISTS 


Jules Dupre 
Frencu: 1812—1889 


| ia ZY 161—LANDSCAPE AND SHEEP 


Height, 36 inches; width, 281% inches 


NIFICENT oak, with branches reagnile to the top of the 
canvas, is seen at the right, on a roadside, where a flock of 
sheep is advancing, followed by a shepherd. At the extreme 
right, back of the great oak and one or two other trees, is a — 
thatch-roofed cottage, while on the left is a stretch of country 
with low horizon. ‘The composition is completed by a high sky. 
of warm gray and white clouds, with some spaces of deep blue 
in the upper portion. The effect of the whole is grandiose 
and compelling. | 


Signed at the lower right. 


From the Henry Hilton Collection, New York, 1900, Catalogue No. 51. S000 i 


By order of the Executors of the late Istpor WormseEr. 


Me 


CY\SO © 
Wey ff 4 > 
/\ 
Fd 
Charles Emile Jacque | 
% Frencu: 1813—1894 4 
4/00 162—-SHEEP IN THE FOREST ) 
, = OF FON TAINEBLEAU 


: Height, 271 inches; length, 40 inches ere | 
le (Levu Lig” : | 


In ah open space on the edge of the forest is a flock of sheep, 
numbering a dozen or more, pasturing on the herbage in the 
foreground. Beside the trunk of one of the great trees which 
fill the middle portion of the composition, stands a shepherd 
leaning on his crook with his dog at his side. Between the 
trunks of the trees is a glimpse of country and a sky with s 
gray and white clouds. An important example with the best 
characteristics of the famous French animal painter. 


Signed at the lower left, and dated 79. 


CLKOT, Purchased from M. Knoedler & Co., New York. , eee BMSXX a7 


From the collection of the late F. L. Lorine. 


Du cerrezpmah fan ato A. ee Sik, EMXXX- duit 1647. 


I ae le alll 


50 


Adolf Schreyer 
GERMAN: 1828—1899 


163—DRIVING A TEAM IN WALLACHIA 


Oy. D0 Height, 35 inches; length, 46 inches 
Ce [Neale 
A Ahet Lee of four horses, with a driver mounted on the third 
one from the right, is depicted drawing a heavily loaded cart 
up a hilly road. The wheels sink almost up to the hubs in 
the mud and clay and the horses are exerting all their strength 
to pull the load. ‘The team is pulling away from the spec- 
tator so that the horses are seen in rear view and the action 
is well given in their backs and hind legs. ‘This group occupies 
practically the whole of the canvas, although, on the left, in a 
much darker portion of the picture, caused by the sky being 
heavily obscured with clouds, there are a horseman with his 
gun slung over his back, and another team and cart. The 
light, concentrated on the horses and the load on the cart in 
the foreground, produces by contrast with the darker portion 
of the picture a striking ensemble. 


— Signed at the lower left. 


By order of Hii1i, Locxwoop, RepFrietp & Lypon, Attorneys. 


Uy 
\ (hee : Jakob Maris 


DutcH: 1838—1899 


164_V LEW OF +tMSTERDAM Aniducht 


Height, 36 inches; length, 43 mches 


i, 000 


THE waters of a canal occupy the foreground, where are seen. | 
several broad-beamed boats lying tied up, while in the middle ~ 4 7 
distance a bridge crosses from the buildings on one side of 

the canal to the other. A red-roofed house and a sturdy church 
tower are prominent objects on the left, while a block of 
buildings and a mass of trees form the principal elements on the 
right. The foreground and most of the middle distance are in 
shadow, and sunlight illumines the buildings of the town that 
are seen farther away. Overhead is an impressive sky com- 
posed of great masses of gray and white clouds with a space 
or two of positive blue in the upper portion where the clouds — | 
are darkest. In the fine treatment of the sky, the broad han- — Z| 
dling of the masses of buildings composing the town, and in — 
the general arrangement of the whole composition, a distin- 

guished and impressive effect is produced. Notable as one 

of only four works of its kind and importance by Maris in 
America. = 


Signed at the lower right. 


Until confined to the works of the early English and old masters, the 
above described example of Jakob Maris was in the notable P. A. = 
B. Widener Collection of Philadelphia, and is illustrated in the | 
first edition of the catalogue of the Widener Collection, No. 76. 


By order of Hiri, Locxwoop, Reprieip & Lypon, Attorneys. 


1002-4 tbyh JAM Mfutoun hey 908 i 
MAG] 4 Sold. #. Mtnhwdh $0 19.00 -« PASKKK = | | 
Cu conagnmeth Ip, hauuck Hot9S Uden, SMM xx Mel 


On Ncw 4 
conteg \ Muth 1916, Mtaned Nt 1b bh 


RSLS. 


Ee 


Anton Mauve 
DutcH: 1838—1888 


165—HOLLAND LANDSCAPE AND CATTLE 
Height, 301% inches; length, 42% inches 


A GRouP of two cows, one white with black spots, the other 
dusky, red-brown, with white markings, standing near the 
milking place in green pastures, near a little stream, which 
is seen in the left foreground. Just behind the group appears 
the head of a third cow, white-faced, whose body is hid from 
view by the other two. Bordering the pasture, on the left, is 
a line of willows, and, on the right, in the distance, a herd of 
cattle is seen grazing, guarded by a figure with a blue blouse. 
Over all is a sky of tempered grays, broken with blue, the 
frank direct painting of the whole and the true and sympa- 
thetic color quality forming a picture of genuine charm. 


Signed at the lower right. 


From the D. W. Powers Collection, New York, 1899, Catalogue 
No. 264. $.3700 - 


By order of the Executors of the late Istpor WormseEr. 


George Inness, N.A. 
AMERICAN: 1825—1894 


| 1B 400 166—SUNSET 


AN excellent Inness of poetical quality. Pasture lands with 
grass and herbage of warm, tempered greens fill the fore- 
ground, and a few sheep are seen straying about at the close 
of day. Near the right center rise the trunks of two trees, 
with their lowest branches at the top of the canvas, and trees, 
farther away, crossing the middle distance, enclose the mea- 
dows. Through their foliage, and above, a sunset sky is seen, 
glowing with qualified tints of orange-red, and showing a space 
of evening blue. A shed-roofed hut appears on the extreme 
left among the trees, producing a low note of gray. 


| ee Panel: Height, 30 inches: length, 45 inch 
| ° : g 5 tnmcnes s eng v, anc ES 


Signed at the lower left, and dated 1892. 


Bought direct from the artist through the connoisseur, Mr. Thomas 
B. Clarke. 


By order of Mr. Epson Brabtey, 


| /2 000 


Adolf Schreyer 
GerMAN: 1828—1899 


‘ 
167—THE ADVANCE GUARD y) a 


Height, 34 inches; length, 47% inches 


A Group 6f three Oriental horsemen, mounted on fine Arabian 


steeds, approaching into the foreground of the picture, where 
there is a pool amid the rocks. ‘The three cavaliers are armed 
and some of their followers are seen coming along in the dis- 
tance at the right. Above is a sky of blue with warm-tinted 
white clouds. The portrayal of the horses and their riders 
is handled in a masterly fashion and the whole is depicted in a 
color scheme of the usual attractiveness of this celebrated artist. 


Signed at the lower right. 


Purchased from the William Schaus Gallery, New York. 


From the collection of the late F. L. Lortne. 


ales ae plete BS = oe Pe . 


cane 


Potrre 


William Adolphe Bouguereau 
Frencu: 1825—1905 


168—LOVE’S MESSAGE 
VELL : 


Lio (iu El lA 


A’ croup of two figures, showing a young woman in Greek 
costume of white, depicted in three-quarter-length life-size, 
and an Amour close beside her on the left. The maiden’s right 
hand, which rests on his shoulder, is lightly touched by the 
left hand of the Amour who floats, so to speak, beside her. Her 
head is inclined toward his, while she listens to his message, 
which he is delivering as if whispered, holding his hand near 
his mouth. His white wings complement the white costume 
of the young woman, and the setting for the figures is made up 
of foliage and a stone fountain basin. The skilful Bouguereau 
drawing is in evidence throughout the work. 


Height, 51 inches; width, 36 wmches ~ 


Signed at the lower left center on stone countan basin, and 
dated 1896. 


Purchased from Julius Oehme, New York, 1911. fv XXX" 
From the collection of the late F. L. Lorine. 


44 bb0- 


Constant Troyon — | 
Frencu: 1810—1865 Vv 


169—LANDSCAPE AND CATTLE 


Howry Oi, j LE Height, 38 inches; length, 52 inches — 


Six cows are seen in two groups in the foreground of this fine 
landscape. In the group nearest the spectator is one, dark 
red; one white, and one black with white face and neck; the 
other three are respectively white, dark red, and dun color 
spotted with white. A rustic bridge crosses a ditch in the 
right foreground, and somewhat farther away is a man on 
horseback with a man on foot at his side. In the distance at 
the left, where a line of trees borders the pasture, are some 
other cows. ‘The sky overhead, with cumulus clouds and some 
spaces of blue, is most impressive. 


Signed at the lower left. 


Purchased from M. Charles Sedelmeyer, Paris. 


From the notable F. O. Matthiessen Sale, New York, 1902, Catalogue 


No. 124.- S$ 500 - 


From the collection of the late F. L. Lorine. 


hy bua lak back Jip tedilmeyps Med airufe 


Selmugr) Vatio SEY 


Albert Neuhuys 
Durcu: 1844—1914 


| 3 i y g 170 MOTHER'S DELIGHT (Gud hy ty) 


Z 

tltal, Lig? . 
A Dtrcu interior with a life-size group of a mother and her 
child. The woman, who is seated in side view to the spectator 
with her head inclined to the right, is feeding the baby which 
she holds in her lap with a spoon. On the table in front of her 
is a dish and a green earthen jug. The walls of the cottage, — 
the clothing and cap of the mother, as well as her face, hands 
and arms, are painted in rather low tones, while the baby’s 
white cap and kerchief, placed about the middle of the com- 
position, form a higher and, consequently, prominent note. 
Both mother and child are of the home-keeping, bred-to-the- 
soil type, and interest is found in their truthful depiction - 
by the artist. 


Height, 54 inches; width, 41 inches 


Signed at the lower right. 


_ By order of Htri, Locxwoop, Reprieip & Lynvon, Attorneys. 


fe pn dale 19067 $6), S500, OM aS 


© SLY on tisguran Jo Np Manueh bay Gil» J peries cn teot, Uilrned } 
Mlwwk Ipsild. toviruteern os firm WGI. Mach lage 17H 


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Sir Laurence Alma-Tadema, R.A. 
BritisH: 1886—1912 


171_THE BATHS OF CARACALLA 


Height, 60 inches; width, 8714 inches 


<7 THis very important work of Alma-Tadema may well be con- z 


sidered to resume his best qualities as a painter and also asa 


historical artist. In the foreground, on a marble bench, three 
figures of young women are seated, while directly behind 

them appears the water of the swimming pool, in which are 

a number of bathers. On the farther side of the pool, which 

is lined with ornamental marble walls, are other bathers, most — 
of them men who are standing about while a group of youthful 

athletes are plunging, one after the other, into the pool. On the 

left of this group, in the middle portion of the picture, are 

some young girls crowned with roses and playing on pipes, 

while still farther away there are other personages, including 

a serving man, who is holding back a door to make way for 

the passage of some notable, in dress of white and red, who 

is about to leave the baths. The elaborate architectural details 
in the upper portion of the picture and the accessories, else- 

where, all give interest to this remarkable presentation of the 

manners and customs of a period renowned in history. 


Signed at the lower left on the foot of bench: “L. Atma- 
Tap—ema, Op. CCCLVI.” 


Purchased from Scott & Fowles. 


From the collection of the late LEon ManpEt. 


af A YY . Ms Lb 190b te Wa | 
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RTISTS REPRESENTED 


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AND THEIR WORKS 


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LIST OF ARTISTS REPRESENTED 
~~ AND THEIR WORKS 


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CATALOGUE 
, NUMBER 
ALMA-TADEMA, Srr Laurence, R.A. | 
The Baths of Caracalla _ 171 
ALVAREZ, Luis | 
The Dancing Lesson 20 
» BAIL, Jossern , 
. Meal Time. ie =50 
_ BERNE-BELLECOUR, Prosper Exrennn 
FE A. French Artilleryman 6 
BERTRAND, James : 
| Serenade in Rome 72 
| BLOMMERS, JowHannes BERNARDUS 
hi On the Dunes 99 
BOCK, TutorHiLE DE 
| A Dutch Pastoral 29 
Holland Landscape 78 
Landscape 85 
Holland Landscape 128 
BOLDINI, Giovanni 
Peaceful Days 88 


BONHEUR, Mutt. Kosa 


Sheep and Landscape 63 
The Choice of the Flock 131 


BOUGUEREAU, Wuu1amM ApboLPHE 
Spring 
Reverie by the Sea 
Young Woman Arranging Her Dress 
Love’s Message 


BOULANGER, GUSTAVE RUDOLPHE CLARENCE 
The Emir: Algiers 


BRAITH, Anton 
A Joyous Morning 


BRETTON, JuLes ADOLPHE 
A Summer Day: Coast of Normandy 


CASANOVA Y ESTORACH, Anronto 
A Reading of “Don Quixote” 


CAZIN, JEAN CHARLES 
Homestead by the Seaside 


CEJUDO, T. Rico 
A Spanish Wedding 


CHAPLIN, Cuaries JosHua 
The Pet Rabbit 


_CHARLEMONT, Epvarp 


Cavalier Smoking 


CLAYS, Paut JEAN CHARLES 
A Calm on the Scheldt 
Vessels, Sea and Shore: Holland 
Boats on the Scheldt ! 
Moonlight near Amsterdam 
Near Dordrecht 


* CATALOGUE 
NUMBER 


37 


36 


27 


38 


124 


74 


24 


115 
129 
132 


CATALOGUE 


COROT, Jean Baptiste CAMILLE ae 
Landscape : 94 
The Lake 97 
Near Ville d’Avray 103 
Les Boucaux dans le Marécage 108 
Sunset 112 
DAUBIGNY, Cuaries Francois 
Les Linges 7 104 
On the River Oise 110 
The Edge of the Pond vel21 
DECAMPS, ALEXANDRE GaBRIEL 
Les Contrebandiers 96 
DELORT, CHar.es Epovarp 
Half-seas Over 7 
DIAZ DE LA PENA, Narcissr VircitE 
La Gorge aux Loups: Fontainebleau 10 
Sunset after Rain - 11 
Toilet of Venus 89 
Whisperings of Love 90 
Venus and Amour 91 
In the Forest of Fontainebleau 107 
A Pool in the Woods 111 
DIEFFENBACH, Anton HEINRICH 
The Appeal 26 
Shearing the Pet 43 
DIETERLE, Marte 
Cattle and Landscape 58 


DOMINGO, FRANcIsco 
A. Cavalier g 


i 
“are Rg 


CATALOGUE 


DU CHATTEL, F. J. 
Evening Glow 
The River 


DUPRE, J ULIEN 
| The Milkmaid 


DUPRE, Juxzs 
‘ Morning: La Mare 
Cottage at PIsle Adam 
The Road to the Sea 
The Return of the Flock 
The Open Sea 
Landscape and Sheep 


EATON, CHARLES WARREN 
Lingering Winter: Moonlight 


GALLEGOS, J. 
A. Canal in Venice 


GEROME, Jzan Lion 
The Mosque of Borussa 
Mohammedans at Prayer 


GRISON, Francois ADOLPHE 
A Country Festival 


 HAMON, Jean Louts 


Love on a Visit 


HARPIGNIES, Henri 
Landscape: Sunset 


HENNER, Jean JacquEs 
Head of a Young Woman 


_ NUMBER ~ 


105 #4 


120. 
128 9g 
127 <- 


161 4 


56 


53. 


66 
180 


67 
17 


59 


- HOOG, BERNarpD DE 


Mother and Child 


INNESS, Georcr, N.A. 
Gathering Clouds 
Sunset 


ISRAELS, Josue 
The Little Housekeepers 


JACQUE, Cuartes Emre 
The Basse-cour 
The Return to the Fold 
Sheep at the Brookside 
Sheep and Forest 
Sheep in the Forest of F a taneblean 


JIMINEZ, Te 
The Christening Festivities 


KAULBACH, Hxrmann 
The Children’s Class in a Convent 


KNAUS, Proressor Lupwie 


The Quarrel 


KOWALSKI, Atrrep WriErusy 
Sleighing in Russia 


LAISSEMENT, HeEnr1 
The Three Brothers 


LEADER, Brensamin WiuaM, &.A. 
At the Edge of the Woods 


CATALOGUE 
NUMBER 


79 


134 
166 


101 


73 


15 


13 


75 


76 


81 


LENBACH, FrRAnNz von 


Portrait of Bismarck 
Bismarck 


MADRAZO, Ratmunpbo DE 
Young Woman with a Guitar 


MAILLARD, CiavuprE 


Expectation 


MARIS, Jaxon 


View of Amsterdam 


MAUVE, ANTON 
Ploughing 
Shepherdess and Flock 
Holland Landscape and Cattle 


MEISSONIER, Jean Lovis ErRNEstT 
The Departure 


MEYER VON BREMEN, Jonann Grore 
A Little Girl Reading 


MILLET, Jean FrRAncois 
The Rescue 


MONET, CLaupE 


La Seine a Argenteuil 

Bateaux de Plaisance 4 Argenteuil 
Fleurs dans un Pot 

Chemin de Halage 4 Argenteuil 
Sur la Falaise pres Fécamp 
Paysage d’Hiver a Bennecourt 
Vue de Bordighera 

Menton vu du Cap Martin 


CATALOGUE 


a NUMBER 
_ MONET, Cravpe—Continued 
Le Bras de Jeufosse 145 
13 Les Meules, Giverny 146 
. La Manne Porte, Etretat 147 
t Tempéte a Port Goulphar, Belle-Isle 148 
b Les Coquelicots: Giverny 149 
if Brouillard: Giverny 150 
ie Brouillard: Giverny | 151 
i _ Antibes, vu du Cap 152 
ke Les Eaux tremblantes a Fresselines, Creuse 153 
[2 Village de la Roche, Creuse 154 
7 Le Jardin a Giverny 155 
. oe La Meule 4 Giverny : 156 
is La Seine 4 Bessancourt en Hiver 157 
Le Bassin aux Nympheas, Giverny 158 
Portal of the Rouen Cathedral (Morning Effect) 159 
Matin sur la Seine, Giverny 160 
: MOSLER, Henry 
F The Cottage at the Water Side 32 
[ MUNKACSY, Minpary br 
Accepting the Challenge 70 
MURPHY, J. Francis, N.A. 
Sunset 18 
NEUHUYS, ALBERT 
Mother’s Delight 170 
NEUVILLE, AtrpHonsrt Marie DE 
Delivery of a Message under a Flag of ‘Truce: 
Franco-Prussian War 118 


NICOL, Erskine, A R.A. 


Patience is a Virtue 31 


; Cs eyo rar 


CATALOG UE 
NUMBER - 


PASINI, ALBerto | a 
A Courtyard in Cone nner on. fe yn 


PERRAULT, Lrton 
The Unwilling Guest 


RICHET, Lrton . . ‘aoe - 
Brittany Landscape | :  (A3 ae : 


RICO, Martin a. 
Grand Canal, Venice | | 117 a 


RIX, JULIAN “a 
English Cottages : 7 ae 


ROBIE, JEAN Baptiste 
Flowers and Strawberries _ AT ae 
Roses 1164 a 

ROSSEAU, PeErcivan | 

| Pointers | A Malis 62 


ROUSSEAU, Pierre Errenne TuHrtopore 


The Artist’s Home at Barbizon ae 40 
Le Marais dans les Landes | Foe Oe 


SALINAS, P. | 
Spanish Café | 34 


SANCHEZ-PERRIER, Eminio - 4 
The River Oise 140 ae 


Les Pécheurs: Scene in Spain | wer S28 
The Ferry 33 


SCHERREWITZ, JoHannes 
Milking Time 77 


SCHREYER, Anotr 


An Arab Horseman at the Fountain 
The Stampede 

A Russian Courier 

Driving a Team in Wallachia 


The Advance Guard 


THAULOW, Frits 
River and Sunlight 


TROYON, Constant 


A Turkey Girl and Her Flock 
Cattle at Rest 

Landscape and Cattle 
Landscape and Cattle 


TRYON, Dacre Wii, N.A. 


Moonrise 


VAN BOSKERCK, Ropert Warp,: N.A. 


Indian Summer 


VAN MARCKE, Emuue 


Young Bull in Stable 
Cow and Gardener 
Summer Time 

A Summer Day 
Cattle and Landscape 


VAN MIEREVELT, Micutet Jansz 
Portrait of a Lady 


VERBOECKHOVEN, Evucrene 
Charging Bull 


CATALOGUE 
NUMBER 


46 
83 
119 
163 
167 


48 


86 


55 


41 
95 
102 
113 
122 


80 


VERESTCHAGIN, Vasin1 
The Window of Selim-Shisti’s ‘Monusent 
The esi Cue 


VIBERT, J EHAN GEORGES 
The Bull-fighter’s Story 


VILLEGAS, Jost 
The Borders of a Venetian Canal 


VOLTZ, Frreprico JoHANN 
Cattle and Landscape 


WALKER, J. A. 
An Episode of the Siege of Paris 


WEBER, Turopor ALEXANDER 
Pier at Ostend 


WEISSENBRUCH, Jonannes Henprix 
Landscape in Holland 


WILSON, RicHarp 
Italian Landscape 


WORMS, Jutes 
After the Bull-fight 


_ WYANT, ALExanpeER H., N.A. 


A Meadow Stream 
Indian Summer: Arkville 


ZIEM, Fruix 
Fishing Boats, Bay of Venice 
Grand Canal, Venice 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


s 

i 

£ . IS EXCEPTIONALLY WELL EQUIPPED 
Z TO FURNISH 


INTELLIGENT APPRAISEMENTS 
; OF 


t@ yoU ao AND. LITERARY PROPERTY 
fa JEWELS AND PERSONAL EFFECTS OF EVERY 
DESCRIPTION 


IN CASES WHERE 


PUBLIC SALES ARE EFFECTED 


A NOMINAL CHARGE ONLY WILL BE MADE 


THE AMERICAN ART ASSOCIATION 


MADISON SQUARE SOUTH 
NEW: YORK 


TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 
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Yo. 4 Pasta, wo bout for $978.0 
ale $1,025, 
Yo, § uetasenter. There mist be some mixup about this pieture, an ve have 
| plohure of the sane subject which wo are tod cénee tron 


the Pope Collection. We have not had time to investigate it. 
No. 9 Troyon. Nice in color, We were the last eameabd on this, 


60, Se WreNDs Ss the gee 


No. 10 Dias, locked very doubtful. 
No, 11 Diaz originally came from ir, A, Kohn. Rather dark, 
No. 18 Murphy, We bought this picture, 


There is a good demand here for this 
artists works. | 


No. 21 marene. This picture brought $2,500 in the Stewart Collection. There 
is absolutely nordemand for this artists worke here. 


do Bock, ‘We have & number on hand and are trying te sell ours and do not care 
to buy ethers, 


bee You will notice that a number of these have come in the market. 
They sell SHAPay CAs Yuh WO de not want te buy any. 
No. 38 Breton, algo a number of his pictures have been in the market. This one 
brought $2,550 in the Johnston Sale. 
Noe 39 Jules Dupre. Rather heavy but good comercial picture. 
| a 40 Rousseau. Sketehy. We have no catalogue of the Isidore Bloch 1896 Sale 
in which the catalogue says this picture was in, and would like 
to have one. — . 
No. 46 Schreyer. This brought $3,100 in the Morgan Collection, ‘There is a demand 
| “here for good Sehreyers at reasonable prices. 


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No. 60 Jaeque, We sold this picture to ue. Loring dn 1906 tor $2,200, . 
We bought 4 and cold 4 with 10% 


for 74000 fl. and sold tour, Baruch for $5,000, 
No, 88 Reldint, Wa8.8 weryimiee picture but $2,600 was high for 4s. 
#1500.00 4n the Johnston Collection, . 
No. 89 Diaz, I did not 2ike, heveesidiiens 


It brought 


mie 00 at 9 Saag Salen n.d neh,soemtn Sa ee de e deames 

Ne» 92 Jecque, Smal) commercial picture which ws. sold through O'Brien of. 

No. 98 Millet. We bought dt for $5,000 end eold 4t ton client. Formerly 4n 

| the Alexander Young Collection. 
No. 94 Corot, You know this picture, We did not bid on it. 
No. 96 Decamps. We bought this picture for $2,450, Tt has Durand-Ruel's number 
om the ‘back, 809, and 4t brought @7,100 in the Henry Sale in 

1907, We are hiding this picture as we think it ought to be 
worth a great deal more, What would be ite chances in Paris? 

No. 97 Corot. We did not particularly eare for this, 

No. 98 Mauve. We wore the last bidders on this picture, 


Ne, 107 Diaz, we did not particularly like. 
Nee 208 Corot, We originally sold this picture to lr. A, ¥, Melion in 
? 1901, and in 1906 te tir. 1, G. Iytten for $15,000, We bought 
| at for $12,700 and resold it imedistely to John Levy. 
Nee 209 Rousseau, Good pioture but uninteresting in composition, 14 
Bought $7,600 an the Ww, i, Puller Collection, 1698, 
Ne. 110 Daubigny. We bought this fer ourselves for $5,000, T% iso idttie 
Gark but a very good picture. 14 brought $6,500 in the Chas, 
A, Dana Gellectien in 19a, 
No. 121 Diss. We bought this picture for $2,600. Very cheap. It is a little 
"tied bat Beauitifia dm color. We are hiding 44, 
No, 112 Core. This picture brought $6,200 in the W. H. stewart Collection 
| tn 1808, me, stutehe pada’ Glos S00 franes for it. We thought 
$7,500 more than wa could pay for it. 
No. 113 Van Marcke. This picture brought $3,700 in the W. H. Johnston Sale. 
| Tt is vory good and cheap st $3,000, the price wo paid for dt. 
Nios 114 Troyon. When last sold dn the Bonner Collection, 3900 thie picture 
| “brought $2,100 . Tt was very badly cracked, and as we restored 


‘ Saaee rhe 4% 


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Ah M9 Aid not care to bid on at, | : 
oer, weught $8,500, whieh Yas & high price for 48 but i 


COR PY 


was very good. ‘We originally bougnt 4t from Amotd 
& Tripp Feb,, 1916, Ml. K, 12207, 


sen Bele, Dee we Deng tor 48,100 Joint dsanunt wit Jenn Lev, 
Very geod commercial picture, 
. Ht was originally Hi:K, 1691, and we sold 4% Sept, 1879 to ur. 3, 
Wiloank for $2,000, 
19h Poubigny. Very brilitant picture. Originally from Goupil, 9 Rue 
 Ghapted and Georges Petit, 18048, We paid $10,200 ana 
Peseld Lt with 10% profit te Mr, Mallinckrodt for the 
St. Louis Museum, 
No. “223 Jules Dupre. In the Graves Celiection, 1909 this pleture brought 
9,200, but it was heavy and none ef us liked it, 


124 Cain, Wery Dieaio in effect end attractive pisture, ‘Gee eae. 
: this fer $2,500, 


The 128 Jacque. in our pinion a copy and ne goed, 
No. 126 Ziem, brought $1,250 in the Mergan Collection, A good little ¢ 
mercial pleture. 
No. 127 Jules Dupre, wrought $7,600 in the W. Hy Fuller collevbon. Sold for 
$2,100. Very cheap, but people do not ssem to want Marines. 
No. 129 Clays. We sold this picture in Juas, 1896 fer $850.00 
No. 133 Ziem. Sold by Gehme for $1,500, A medicere comercial picture, 
MONETS, They all sold remarkably well with the exception of one or two, 
‘@nd confidentially, it looked as if D. R, was bidding against himself 
#0 a8 to “boost” the prices. No. 150 ve bought for a gentleman who 


Ne 164 Jasob Marts, Very Zine, we fort Mike Uddddng mors than $27,000, whicn 
it brougnt, but we have @ large stock of Dutsh pictures, and 
wing to the war wo de net sues to do suything with Helland, 

Ne 2165 Neuve, brought $3,700 in the Povors Collection in 

snd cheap for any one wie iiked iM, 

Nes 167 Schreyer, $10,000, very good attractive copeottien. 

No. 169 Treyen, this picture hreught $16,800 in the Metthiensen Sale in i902. 
Tt hed Sedelmeyer's red siaup on the back. The sienaturs Locked 

| “very funny to me, eee 
No. 170 Newhuya, Very cheap fer any one who Liked 4%, Wo hed tne picture on 
| Sale hare Pes Gensttas aad nebedy Soman to me for 4%. It 
Weught $5,200 dn the Jefferson Sale 4n 1906. 
No» 271 Tadema, We bought this picture at the Bronson Gale in 1907 Joint Acq 
es count with Tooth fer $20,000, It is 2 very besutifur work, but 
88 Tadema’s are not in demand wo did net give more than $19,000, Ai 
ebcake! housid ie for the Libbey telede iusoum, — 


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